| Klarinet Archive - Posting 000095.txt from 2001/02 From: Clarguy3@-----.comSubj: Re: [kl] Buffet's Green Line R-13
 Date: Sun,  4 Feb 2001 13:30:11 -0500
 
 I bought two new Festivals last summer--a Greenline and a wood one--both
 spectacular.  I played some Cavallini etudes for a group of about a hundred
 music teachers at VMEA in November alternating clarinets--then I had them
 vote.  It was about half-and-half, who liked one and who liked the other.
 And nobody knew which one the greenline was till I told them.
 
 I'm playing my greenline more these days than the wood one.  It's safer in
 this cold weather, and it's a full-fledged professional horn in every sense
 of the word.  Besides, I just like it--it sounds good, it's even, and it
 feels good.  No problems with splitting, cracking, etc., and no problems with
 flat throat tones--this one, with my Pyne M mouthpieces, nails the tuner
 dead-on.
 
 Chuck West
 
 <<
 >Playing in the Navy Band we use the Greenilines a lot.  They are made of a
 >composite material to sustain extreme temperatures outside.  The throat
 tones
 >and the notes below that in the left hand seem to be a little on the flat
 >side.  I would not recommend a Greenline for a professional horn.  Julie
 
 Perhaps the best example of the Greenline being used as a pro horn is that
 Bob Spring performs on them.  I haven't heard a problem.......
 
 In my opinion, they are most definitely a professional horn - and if I were
 to do it again, I would go all Greenline.
 
 Sincerely, >>
 
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