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Klarinet Archive - Posting 000196.txt from 2000/09

From: stewart kiritz <kiritz@-----.net>
Subj: Re: [kl] Nazareth music
Date: Wed, 6 Sep 2000 00:16:27 -0400

Dear Fernando,

That would be great! He is a magnificent composer and I don't understand
why the music is not available in the catalogues of music publishers. We
have just two small books of his music.

Incidently, I know you are a Selmer artist, but I play on Rossi clarinets
which as you know are made by Luis Rossi in Chile. I love them. Ever tried
them? I won't tell anybody : )

Stewart Kiritz

----- Original Message -----
From: "Fernando Silveira" <clarineta@-----.br>
Subject: [kl] Nazareth music

Hi Stewart,
as a brazilian I would like to help you.
There is a Nazareth colection with the very known choros by him.
I can see if I can locate that and know how much it coast.
You could send the money to me and I would send it to you.

Best

Fernando
<><><><><><><><><><><><><><><><><><><><><><><>
Fernando Silveira
Clarinet Professor - Rio de Janeiro University - Brazil
Selmer/Vandoren Artist
fsilveira@-----.br
ICQ #: 69239248
-----Mensagem original-----
De: stewart kiritz <kiritz@-----.net>
Para: klarinet@-----.org>
Data: Terça-feira, 5 de Setembro de 2000 00:28
Assunto: Re: [kl] ClarFest CD's

To All,

This is not a clarinet -related question but perhaps someone here can
help.
My daughter (16) is a pianist who has become interested in the music of
the
Brazilian composer Ernesto Nazareth (1864-1934 or so). There are a few
simplified versions of his pieces in print, but the good stuff, which
you
can hear on cd's, doesn't seem to be available. Does anyone have any
suggestions for locating this great music? Or know of a source online
that
could help me?

Thanks,

Stewart Kiritz

----- Original Message -----
From: "Gary Truesdail" <gir@-----.net>
To: <klarinet@-----.org>
Sent: Monday, September 04, 2000 7:54 PM
Subject: Re: [kl] ClarFest CD's

> Relief players - what a luxury
>
> At Lake Tahoe and Reno, 20 years ago and earlier, there were entire
relief
> bands that would rotate each day from one show to the next for the
gambling
> establishments giving a day (night) off for the house band. They
would do
a
> read through sometime during the day and the show(s) in the evening.
They
> were awesome players and any one of them could play, and improvise
when
> called for, any style music that the conductor wanted. I heard some
of
the
> rehearsals and it is interesting to here a band that could at one
moment
be a
> great big-band jazz group and have the entire band change their style
of
> playing, using the same manuscript, and sound country-western, 40's,
or
some
> other completely different style.
>
> Does anyone know of working bands that do the same thing?
>
>
> Neil Leupold wrote:
>
> > --- mark <cpaok@-----.net> wrote:
> > > Hmm ... I had always been told that the Associate Principal was
the
2nd
> > > fiddle???
> >
> > You're confusing 2nd fiddle with 2nd clarinet. Associate
Principal/Eb
> > does not typically play 2nd clarinet parts -- that's what the person
sit-
> > ting in the 2nd clarinet chair is for, and that's typically all
(s)he
> > plays. Associate Prin./Eb is the orchestra's Eb specialist, in
addi-
> > tion to filling in when the Principal player elects to pass on a
par-
> > ticular part. The relationship between the two is not the same in
all
> > orchestras. In some ensembles, the two players are veritable equals
> > and divide the principal playing efforts evenly. In other groups,
the
> > associate player might just get the musical scraps, i.e.; the
Principal
> > player will sit out the overture to Candide and the Dvorak cello
con-
> > certo (let the associate player take principal on those) to save
his/her
> > chops for Rachmaninov Symphony No. 2.
> >
> > Neil
> >
> > Do You Yahoo!?
> > Yahoo! Mail - Free email you can access from anywhere!
> > http://mail.yahoo.com/
> >
>
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