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Klarinet Archive - Posting 000190.txt from 2000/09

From: "Fernando Silveira" <clarineta@-----.br>
Subj: [kl] Nazareth music
Date: Tue, 5 Sep 2000 22:20:11 -0400

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Hi Stewart,
as a brazilian I would like to help you.
There is a Nazareth colection with the very known choros by him.
I can see if I can locate that and know how much it coast.
You could send the money to me and I would send it to you.

Best

Fernando
<><><><><><><><><><><><><><><><><><><><><><><>
Fernando Silveira
Clarinet Professor - Rio de Janeiro University - Brazil
Selmer/Vandoren Artist
fsilveira@-----.br
ICQ #: 69239248
-----Mensagem original-----
De: stewart kiritz <kiritz@-----.net>
Para: klarinet@-----.org>
Data: Ter=E7a-feira, 5 de Setembro de 2000 00:28
Assunto: Re: [kl] ClarFest CD's
=20
=20
To All,
=20
This is not a clarinet -related question but perhaps someone here =
can help.
My daughter (16) is a pianist who has become interested in the music =
of the
Brazilian composer Ernesto Nazareth (1864-1934 or so). There are a =
few
simplified versions of his pieces in print, but the good stuff, =
which you
can hear on cd's, doesn't seem to be available. Does anyone have =
any
suggestions for locating this great music? Or know of a source =
online that
could help me?
=20
Thanks,
=20
Stewart Kiritz
=20
=20
----- Original Message -----
From: "Gary Truesdail" <gir@-----.net>
To: <klarinet@-----.org>
Sent: Monday, September 04, 2000 7:54 PM
Subject: Re: [kl] ClarFest CD's
=20
=20
> Relief players - what a luxury
>
> At Lake Tahoe and Reno, 20 years ago and earlier, there were =
entire relief
> bands that would rotate each day from one show to the next for =
the
gambling
> establishments giving a day (night) off for the house band. They =
would do
a
> read through sometime during the day and the show(s) in the =
evening. They
> were awesome players and any one of them could play, and improvise =
when
> called for, any style music that the conductor wanted. I heard =
some of
the
> rehearsals and it is interesting to here a band that could at one =
moment
be a
> great big-band jazz group and have the entire band change their =
style of
> playing, using the same manuscript, and sound country-western, =
40's, or
some
> other completely different style.
>
> Does anyone know of working bands that do the same thing?
>
>
> Neil Leupold wrote:
>
> > --- mark <cpaok@-----.net> wrote:
> > > Hmm ... I had always been told that the Associate Principal =
was the
2nd
> > > fiddle???
> >
> > You're confusing 2nd fiddle with 2nd clarinet. Associate =
Principal/Eb
> > does not typically play 2nd clarinet parts -- that's what the =
person
sit-
> > ting in the 2nd clarinet chair is for, and that's typically all =
(s)he
> > plays. Associate Prin./Eb is the orchestra's Eb specialist, in =
addi-
> > tion to filling in when the Principal player elects to pass on a =
par-
> > ticular part. The relationship between the two is not the same =
in all
> > orchestras. In some ensembles, the two players are veritable =
equals
> > and divide the principal playing efforts evenly. In other =
groups, the
> > associate player might just get the musical scraps, i.e.; the =
Principal
> > player will sit out the overture to Candide and the Dvorak cello =
con-
> > certo (let the associate player take principal on those) to save =
his/her
> > chops for Rachmaninov Symphony No. 2.
> >
> > Neil
> >
> > Do You Yahoo!?
> > Yahoo! Mail - Free email you can access from anywhere!
> > http://mail.yahoo.com/
> >
> > =
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> =
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=20
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