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Klarinet Archive - Posting 000567.txt from 2000/07

Subj: Re: [kl] An Honest Request...
Date: Mon, 17 Jul 2000 22:47:06 -0400

At 07:25 PM 07/17/2000 -0700, you wrote:
>Of course, the best possible excerpt source is no excerpt at all: obtain
>the full clarinet part. Even an error-ridden Kalmus part is better than
>a half-page reproduction of the main solo. You can take that to Borchert,
>have him help you pencil in the corrections, and then you have the whole
>part to follow as you listen to your favorite recording in preparation
>for the audition.

I thought Pines of Rome was least that's what my copy

Roger Garrett

Roger Garrett
Professor of Clarinet
Director, Symphonic Winds
Advisor, IWU Recording Services
Illinois Wesleyan University
School of Music
Bloomington, IL 61702-2900
(309) 556-3268

A Clarinetist's Revenge is sometimes personified by the following excerpt
from the London Daily News, circa 1926:

"The saxophone is a long metal instrument bent at both ends. It is alleged
to be musical. As regards markings, the creature has a series of tiny taps
stuck upon it, apparently at random. These taps are very sensitive: when
touched they cause the instrument to utter miserable sounds suggesting
untold agony. Sometimes it bursts into tears. At either end there is a
hole. People, sometimes for no reason at all, blow down the small end of
the saxophone which then shrieks and moans."

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