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Klarinet Archive - Posting 000955.txt from 2000/04

From: "Karl Krelove" <kkrelove@-----.com>
Subj: RE: [kl] question on a note in Messagers Solo de Concours
Date: Sat, 22 Apr 2000 08:04:29 -0400

A couple of ideas to justify D natural at the top of the run in measure 16:

1 - throughout the piece Messager seems to follow the practice that
accidentals need to be re-marked in each octave. There are lots of places in
this piece (indeed in a lot of 19th and early 20th century French pieces)
where accidentals are indicated in each octave within a measure as a passage
climbs. I know, the C# is explicitly cancelled by a natural sign in the
second octave and the D# isn't, but Messager's general practice throughout
the piece is to re-indicate accidentals in new octaves.

2 - (which makes #1 more convincing) the harmony (if you check the
accompaniment) at the beginning of the measure is C#-F-A. On the last beat
the bass line goes down to C natural, leading to B in the next measure. The
whole progression (which repeats the harmonic scheme of bars 3-10) makes it
clear that the harmony here calls for a (concert) C natural, or D natural in
the clarinet part.

Karl

> -----Original Message-----
> From: HappiLeigh125@-----.com]
> Sent: Friday, April 21, 2000 8:38 PM
> To: klarinet@-----.org
> Subject: [kl] question on a note in Messagers Solo de Concours
>
>
>
>
> Hi,
>
> I'm currently preparing Solo de concours for an all state
> audition. I have a
> question on 1 note, which probably doesn't matter too much but
> i'm better off
> playing it right!
>
> in the 16th measure, does the middle D# carry over to the high D#
> which is
> the last note on the measure? As written its a D#, but My
> teacher says she
> and her students have been playing it as a D natural and nobody ever
> corrected them.
> But i was playing along with a midi file and it sounded like a
> D#... So if
> anyone has a copy and can help me i'd be greatly appreciative, thanks in
> advance
>
> Leigh-Anne
> Happileigh125@-----.com
>
>
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