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Klarinet Archive - Posting 001553.txt from 1999/01

From: "Ed Maurey" <edsshop@-----.ca>
Subj: Re: [kl] klarinet Digest 30 Jan 1999 21:06:09 -0000 Issue 1005
Date: Sun, 31 Jan 1999 07:25:07 -0500

Kieth,

You're right. To speak of .01 mm's concerning clarinet bores is close to
being rediculous. .01mm is about HALF .001". Manufacturing tolerances in
grenadilla to .001" is about as far as you can honestly go.

Ed Maurey

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From: Keith <100012.1302@-----.com>
Subject: [kl] klarinet Digest 30 Jan 1999 21:06:09 -0000 Issue 1005
Date: Saturday, January 30, 1999 6:28 PM

Re: bores and cracking
I agree that it's the swelling of water that does the damage, and any means
of preventing its ingress must reduce the risk of cracking. The problem of
course is that the inside swells and the outside stays drier and doesn't. I
have always thought that the point of oiling was the gradual absorption of
oil into the wood cells, filling them and preventing water being absorbed.
Same reason as oiling, say, a teak dining table. Thus, I think the aging
process is just this oil absorption. Extremely old instruments in museums
have continued to shrink as they dehydrate, and usually go elliptical as
the shrink differently along the radial and tranverse directions of the
grain in the wood. My friend Maurice Byrne of the Galpin Society in England
has done quite a lot of work on this.

I only had one clarinet crack on me - my Selmer bass, whilst in the theatre
pit with a solo rapidly approaching and the lower chalumeau register wiped
out. (The crack ran through three holes up at the top). Spittle applied to
the crack five seconds before the solo did the trick. I had it pinned by
Brian Ackermann - he did an unbelievably good job which was probably quite
routine for him, and I played steadily on the instrument for another ten
years.

In the discussion about bore diameters, one thing puzzles me a lot - that
is, the precision claimed of the measurements and their effects. Bores are
being quoted to 0.01 mm. This is a very good manufacturing tolerance even
in a metal, and whilst it *could* be achieved in wood, I don't see much
chance of it staying the same as climate changes. I haven't noticed
significant change in tone in moving from wet England to dry Denver, and
while I haven't measured my clarinets, I'd bet they have changed by more
than 0.01 mm! Anyone done any statistical work on bore stability over time
and climate?

Finally - I am (very minimally) restoring a boxwood Goulding of around
1820. Any recommendations as to the best oil for boxwood?

Keith Bowen
Denver CO
(I'm a former professor of materials and precision engineering besides an
amateur clarinettist and woodworker)

>First, oiling the bore is not done primarily to prevent cracking per se,
but
to facilitate the removal of moisture from the bore before it soaks into
the
wood. Continually moistening then drying of wood causes many problems
besides cracking, warping being the more common. Wood needs to be aged and
broken in slowly to withstand the rapid changes in moisture to prevent the
physical pressures from deforming it....
<

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