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Klarinet Archive - Posting 001755.txt from 1998/04

From: "Carl Schexnayder" <carlsche@-----.com>
Subj: Re: [kl] And now Selmer: (was Re: Leblanc or Buffet)
Date: Thu, 30 Apr 1998 13:57:22 -0400

We could, of course, fo on and on.........What about Yamaha? What about
Patricola? What about Rossi? What about Peter Eaton?

Although I must admit, I am interested in reading all of the "what about"
replies.

Carl Schexnayder
-----Original Message-----
From: Kenneth Wolman <kwolman@-----.com>
Date: Thursday, April 30, 1998 11:33 AM
Subject: [kl] And now Selmer: (was Re: Leblanc or Buffet)

>At 12:19 PM 4/30/98 EDT, you wrote:
>>Tom said:
>>I repeat: The bottom line is that clarinetists ought to stop being a
>bunch of
>>bleeting sheep and start using the ears God gave them to hear and the
>mind He
>>gave them to think with, and by those means select the right clarinet for
>>them....the one they sound best on the one that matches.....not Eddie
>Daniels'
>>or Michel Arignon's or Acker Bilk's personality, skills and needs, but
>theirs!
>>for heaven's sake! "
>>
>>AMEN Thanks for saying it !!!!! Elise Curran
>
>So as long as we're doing this, what about the current crop of professional
>Selmer clarinets? Selmer, I gather, used to be the alternative to Buffet.
>Now it appears to be LeBlanc, even though Selmer is still in the high-end
>clarinet business. But if you go to their website, even Selmer does not
>list among its various artists any clarinetists.
>
>Well, you CAN get the Benny Goodman poster.....
>
>Ken
>
>Kenneth Wolman Information Technology Morgan Stanley Inc.
>750 Seventh Avenue New York, NY 212-762-1685
> My unpaid life: http://www.geocities.com/SoHo/Gallery/1649
> "I only wish I could write with both hands, so as not to forget
> one thing while I am saying another." -- St. Teresa of Avila
>
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