| Klarinet Archive - Posting 000029.txt from 1997/12 From: Jennifer Rose McKenna <jrm0013@-----.edu>Subj: Re: New topic...when to transcribe?
 Date: Mon,  1 Dec 1997 19:42:07 -0500
 
 I always wanted to know this - do many of you so called 'water log' your
 reeds before you play them-you know buy blowing through the end of the
 reed. i always found that the reeds died sooner when i did this. just
 wondering?
 
 jennifer mckenna
 jrm0013@-----.edu
 university of north texas
 clarinet concentration/music ed major
 
 On Mon, 1 Dec 1997, Da Shouryu-man wrote:
 
 > On Mon, 1 Dec 1997, Roger Garrett wrote:
 > >
 > > Actually, the break in is not so long for Bass......just the sanding of
 > > the back to be sure the warp is gone.  An important consideration is that
 > > when reeds start to wear out, they make it sound/feel as though the horn
 > > is leaking somewhere......very important to remember this!
 >
 > I seal my reeds first, soaking and pressing, soaking and pressing, etc
 > until I don't see air bubbles on the vamp when I blow through the butt of
 > the reed.  Then I wait for it to completely dry, and occasionally, after
 > sanding then playing, it will warp again...that's why I say it's long.
 > While it may not be necessary to seal it, I do anyway.  That's part of
 > what takes so long for me.  I've never tried not sealing the reed; that
 > _would_ shorten the process significantly, huh? ^_^
 >
 > > I disagree with the contention that one never plays on anything harder
 > > than a 3.  I play on size 4 Vandorens, and they are a bit soft at times
 > > for me.  Lawrie Bloom plays on 4's.....anything less than a size 3 on a
 > > standard C* mouthpiece will be too soft for a good quality, full-bodied
 > > bass clarinet sound....especially for projection in the low range.
 >
 > I haven't tried a C* yet, so I can't say for sure.  I was probably jumping
 > the gun with my statement there.  All the students I've worked with and
 > played beside in regional conventions, if anyone played anything harder
 > than a 3, they got real reedy in the clarion (yuck) and couldn't play
 > ANYTHING below mezzoforte without sounding like a gagging goose.  So when
 > I speak, I speak of off that experience.  I haven't tried working past
 > 3.5, but I may try with different mouthpieces, now that you've brought it
 > up.
 >
 > > Doesn't matter to most of us if you sound that way as long as you realize
 > > that there are a LOT of people who have put a lot of time and effort into
 > > being good bass clarinet players......gee...and some of us have even
 > > played in a major symphony orchestra on it!
 >
 > Mr. Garrett, I've been on the list for less than a day, and I'm happy that
 > I've found people like you who take basses seriously.  I have such a hard
 > time finding people as such, and it's good to know that they're on this
 > list as well.  I'll keep these things in mind from now on. ^_^
 >
 > "The dumbest thing that band directors often do is take the last few
 > clarinets on the list after chair tests and have them play low clarinets.
 > It is truly a tragedy."--Grant Green, Contrabass ML
 >
 > 						Shouryu
 >
 > Coming soon!  A whole new Dope-onna-rope!  That's right!  Shouryu is
 > changing EVERYTHING!!!  A new signature with new and improved design!  A
 > new web page with...>gasp<...USEFUL STUFF!  Stay tuned in December when
 > Warm Up gets a whole new makeover!!!  http://web.nmsu.edu/~jnohe
 > (This does not mean, however, that Shouryu has a girlfriend yet.)
 >
 
 
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