Klarinet Archive - Posting 000019.txt from 2012/02

From: "Daniel Leeson" <leesondaniel899@-----.net>
Subj: Re: [kl] Saying goodbye
Date: Wed, 01 Feb 2012 15:36:35 -0500

This man is not a significant danger. Anyone who
would even try to play a D clarinet part on a
B-flat instrument would explode his head on the
high notes.

So there is no problem with this man. He is
unlikely to survive Mahler 5.

Dan Leeson
email: dnleeson@-----.net
alternate email: leesondaniel899@-----.net

-----Original Message-----
From: Ed Wojtowicz [mailto:ewoj@-----.com]
Sent: Wednesday, February 01, 2012 9:10 AM
To: The Klarinet Mailing List
Subject: Re: [kl] Saying goodbye

I am looking to get a nice dark German sound.
Please do not confuse this with a desire for a
British or Viennese sound. Can anybody help me? I
am looking for the right Bb clarinet to get that
sound since I play everything (A, Eb, D parts) on
the Bb. Well, except when I recently did the Grand
Partita, where I did all off the bassethorn parts
on a bass clarinet. I will always remember,
because I sat right next to the contrabassoon and
contrabass clarinet players.

Ed

Sorry, everyone I just couldn't resist.

Dan- I enjoyed your insight. Thanks for all.

On Jan 31, 2012, at 1:43 PM, Daniel Leeson wrote:

> For the past year or more, I find that the
topics
> on clarinet are often a restatement of topics
> there were posted two decades or more ago.
> Besides, I am so out of the world of clarinet
> playing that I don't feel I can any longer make
of
> a substantive contribution. My expertise has
> always been historical and inquisitorial. I
> rarely, if ever, gave suggestions of the
mechanics
> of clarinet playing because there were far too
> many list members infinitely more qualified than
I
> to speak on such matters. I liked subjects like
> editions, literature, performance practice, the
> 18th century, etc.
>
>
>
> Mostly, the topics for which I made a
contribution
> (or at least hope that I did) were matters like
> the ubiquitous but entirely unexplained and
> unachievable "nice dark sound" as well as which
> instrument, or mouthpiece, or barrel, or body
type
> enabled that "nice dark sound." I also bitched a
> lot about the arrogance of clarinetists who feel
> that the pitch of the instrument that they
employ
> is their decision and not the composer's.
>
>
>
> Bottom line is that I am not enjoying myself on
> the list, partly because of the repetitive
nature
> of the postings, and partly because I'm getting
> old. At 79, I find myself thinking about other
> things than reeds, stands, editions, ligatures,
> etc.
>
>
>
> I hope that over the last quarter century (has
it
> really been that long?), some few remarks I made
> were of substance, or important, or valuable, or
> whatever.
>
>
>
> Anyone who wants to write to me is welcome to do
> so, but I'm signing off clarinet at the end of
the
> week. I'm simply too pooped out to continue
saying
> the same thing and the reward for making
> interesting postings (I hope) is not
forthcoming.
>
>
>
> Dan Leeson
>
> email: dnleeson@-----.net
>
> alternate email: leesondaniel899@-----.net
>
>
>
> _______________________________________________
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> Klarinet@-----.com
> To do darn near anything to your subscription,
go to:
> http://klarinet-list.serve-music.com

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