Klarinet Archive - Posting 000014.txt from 2012/01

From: Oliver Seely <oseely@-----.com>
Subj: Re: [kl] Music Minus One
Date: Fri, 06 Jan 2012 19:05:05 -0500


Okay, to each his/her own. I find that if I have a MIDI file with which to play along, the transition to playing with live players is seamless. One listens, plays, picks up the nuances of the others' (and the conductor's) presentation and it is upward and onward.

Oliver

> To: klarinet@-----.com
> From: sanderrp@-----.edu
> Date: Fri, 6 Jan 2012 19:55:22 +0000
> Subject: Re: [kl] Music Minus One
>
> I definitely agree with that! Harold Wright's version on the Rabaud is stunning!
> Raphael
> Sent from my Verizon Wireless BlackBerry
>
> -----Original Message-----
> From: "Douglas Ramsdell" <dugsdale@-----.net>
> Date: 6 Jan 2012 14:49:26
> To: <klarinet@-----.com>
> Reply-To: "The Klarinet Mailing List" <klarinet@-----.com>
> Subject: [kl] Music Minus One
>
>
> I wouldn't scoff at MMO, for this reason if no other: I have a MMO
> flute album featuring Julius Baker, recorded much more intimately
> (i.e. closer-miked) than I'm used to hearing him. His sound is
> incomparably creamy and beautiful to hear, and I don't know of
> another contemporary recording of his that compares to the one-on-one
> studio setting. Looking over the MMO clarinet listing, I see names
> like Harold Wright, Harris Goldsmith, Stanley Drucker, Ron Odrich,
> and Bob Wilber. Granted not all of the performances may be inspired
> or transcendant, but even if you don't play along, there's value in
> listening to such virtuosi in what I'd call "bread-and-butter"
> circumstances.
>
> Doug
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