Klarinet Archive - Posting 000003.txt from 2011/08

From: Georg.Kuehner@-----.de (=?iso-8859-1?Q?Georg_K=FChner?=)
Subj: Re: [kl] A dip in the table.
Date: Mon, 01 Aug 2011 15:21:12 -0400

Dear Keith,

right. But never too strong because then the reed can't vibrate.

Regards Georg

-- =

Georg K=FChner
Klarinetten (A/B/Alt/Bass), Saxophone (Alt/Tenor)

Telefon 06333 - 274614

mail: Georg.Kuehner@-----.de
web: http://web.me.com/georgkuehner

Maiblumenweg 10
67714 Waldfischbach-Burgalben
Deutschland

Am 01.08.2011 um 20:20 schrieb Keith Bowen:

> Georg
> =

> I also use a German m/p (Wurlitzer) with a string ligature, which I use
> because I think it sounds better (on a reform Boehm). However, I am ignor=
ant
> of the fine tuning aspect. Thinking about it, I guess that making the str=
ing
> tighter forces a little curvature in the reed as it conforms to the dip;
> this would make the reed stiffer. Is this the effect that you use?
> =

> Keith
> =

> -----Original Message-----
> From: "Georg K=FChner" [mailto:Georg.Kuehner@-----.de] =

> Sent: 31 July 2011 18:28
> To: The Klarinet Mailing List
> Subject: Re: [kl] A dip in the table.
> =

> Hello,
> =

> I'm back from holiday. I request a dip because I play old fashioned German
> system kind of opening!
> You need the so called "Hohlkehle" to make the reed vibrate. And the power
> you use with the STRING ligature gives you the possibility to finetune the
> whole thing:-))
> =

> Regards Georg
> =

> =

> Am 24.07.2011 um 20:01 schrieb Mike Vaccaro:
> =

>> LLoyd
>> =

>> =

>> =

>> I prefer a flat table. That's just how I think it works best. I do
> remember
>> Glen Johnston ALWAYS making a dip in the middle of the table of his
>> mouthpieces though. It just did not work as well for me.
>> =

>> =

>> =

>> Mike Vaccaro
>> =

>> SaxandClarinetMouthpieces.Com
>> =

>> =

>> =

>> =

>> =

>> I have been deluged with questions off the air but with a little =

>> =

>> amplification here most should be answered.
>> =

>> =

>> =

>> For the last 5 years I have worked to perfect a recreation of the old =

>> =

>> Chedeville rod rubber and CNC techniques to shape them into mouthpieces. =

>> =

>> Brad Behn and I just had a long thread going on the Bulletin Board "Most =

>> =

>> Chedeville-Like" which is a pretty fair explanation of how we both arriv=
ed
> =

>> =

>> on the rubber formulation we feel is most Chedeville like.
>> =

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>> Chedeville will introduce a line of Professional Chedeville (I own the =

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>> international copyright on Chedeville name mark and trademark) clarinet =

>> =

>> mouthpieces at ClarinetFest in LA in a week. Our business plan includes =
4 =

>> =

>> variations of a blank and facings copied from and old Henri Chedeville =

>> =

>> mouthpiece and a Charles Chedeville mouthpiece. We also are going to
> offer =

>> =

>> blanks to custom mouthpiece makers of the two blanks used for our own =

>> =

>> mouthpieces. I have sent out sample blanks (#1) to several mouthpiece
> makers
>> =

>> =

>> asking for their recommendations on what they like and do not like about =

>> =

>> using a particular blank to make their rendition of a custom mouthpiece.=
I
> =

>> =

>> will then make changes in the future blanks from a consensus of these =

>> =

>> observations. With CNC machined mouthpieces it is relatively easy to mak=
e =

>> =

>> tweaks that are impossible with molded mouthpieces without changing the =

>> =

>> cores. I will have Blanks 1 & 2 for sale at ClarinetFest in lots of 5 or =

>> =

>> more.
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>> The present blanks have a slight dip in the table which many say is =

>> =

>> characteristic of Zinner and some Babbitt blanks that they now use but =

>> =

>> others say that they only use a flat table to make their facings -
> different
>> =

>> =

>> strokes for different folks. Mike Lomax is using one of the Chedeville =

>> =

>> blanks to offer a new premium mouthpiece called The Firebird - perhaps
> after
>> =

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>> our logo which features a Phoenix rising from the ashes
>> =

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>> The third prong of our offerings will be an intermediate mouthpiece that
> has
>> =

>> =

>> one consensus facing and is also CNC machined from hard rubber called =

>> =

>> Chedeville "Prime" at an affordable price.
>> =

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>> I am not and will not be a custom mouthpiece maker, only a mouthpiece =

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>> manufacturer.
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>> =

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>> =

>> L. Omar Henderson
>> =

>> =

>> =

>> =

>> =

>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
> =

> _______________________________________________
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> =

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