Klarinet Archive - Posting 000003.txt from 2011/08
From: Georg.Kuehner@-----.de (=?iso-8859-1?Q?Georg_K=FChner?=) Subj: Re: [kl] A dip in the table. Date: Mon, 01 Aug 2011 15:21:12 -0400
Dear Keith,
right. But never too strong because then the reed can't vibrate.
Regards Georg
-- =
Georg K=FChner
Klarinetten (A/B/Alt/Bass), Saxophone (Alt/Tenor)
Telefon 06333 - 274614
mail: Georg.Kuehner@-----.de
web: http://web.me.com/georgkuehner
Maiblumenweg 10
67714 Waldfischbach-Burgalben
Deutschland
Am 01.08.2011 um 20:20 schrieb Keith Bowen:
> Georg
> =
> I also use a German m/p (Wurlitzer) with a string ligature, which I use
> because I think it sounds better (on a reform Boehm). However, I am ignor=
ant
> of the fine tuning aspect. Thinking about it, I guess that making the str=
ing
> tighter forces a little curvature in the reed as it conforms to the dip;
> this would make the reed stiffer. Is this the effect that you use?
> =
> Keith
> =
> -----Original Message-----
> From: "Georg K=FChner" [mailto:Georg.Kuehner@-----.de] =
> Sent: 31 July 2011 18:28
> To: The Klarinet Mailing List
> Subject: Re: [kl] A dip in the table.
> =
> Hello,
> =
> I'm back from holiday. I request a dip because I play old fashioned German
> system kind of opening!
> You need the so called "Hohlkehle" to make the reed vibrate. And the power
> you use with the STRING ligature gives you the possibility to finetune the
> whole thing:-))
> =
> Regards Georg
> =
> =
> Am 24.07.2011 um 20:01 schrieb Mike Vaccaro:
> =
>> LLoyd
>> =
>> =
>> =
>> I prefer a flat table. That's just how I think it works best. I do
> remember
>> Glen Johnston ALWAYS making a dip in the middle of the table of his
>> mouthpieces though. It just did not work as well for me.
>> =
>> =
>> =
>> Mike Vaccaro
>> =
>> SaxandClarinetMouthpieces.Com
>> =
>> =
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>> I have been deluged with questions off the air but with a little =
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>> amplification here most should be answered.
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>> =
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>> For the last 5 years I have worked to perfect a recreation of the old =
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>> Chedeville rod rubber and CNC techniques to shape them into mouthpieces. =
>> =
>> Brad Behn and I just had a long thread going on the Bulletin Board "Most =
>> =
>> Chedeville-Like" which is a pretty fair explanation of how we both arriv=
ed
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>> on the rubber formulation we feel is most Chedeville like.
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>> Chedeville will introduce a line of Professional Chedeville (I own the =
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>> international copyright on Chedeville name mark and trademark) clarinet =
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>> mouthpieces at ClarinetFest in LA in a week. Our business plan includes =
4 =
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>> variations of a blank and facings copied from and old Henri Chedeville =
>> =
>> mouthpiece and a Charles Chedeville mouthpiece. We also are going to
> offer =
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>> blanks to custom mouthpiece makers of the two blanks used for our own =
>> =
>> mouthpieces. I have sent out sample blanks (#1) to several mouthpiece
> makers
>> =
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>> asking for their recommendations on what they like and do not like about =
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>> using a particular blank to make their rendition of a custom mouthpiece.=
I
> =
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>> will then make changes in the future blanks from a consensus of these =
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>> observations. With CNC machined mouthpieces it is relatively easy to mak=
e =
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>> tweaks that are impossible with molded mouthpieces without changing the =
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>> cores. I will have Blanks 1 & 2 for sale at ClarinetFest in lots of 5 or =
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>> more.
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>> The present blanks have a slight dip in the table which many say is =
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>> characteristic of Zinner and some Babbitt blanks that they now use but =
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>> others say that they only use a flat table to make their facings -
> different
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>> strokes for different folks. Mike Lomax is using one of the Chedeville =
>> =
>> blanks to offer a new premium mouthpiece called The Firebird - perhaps
> after
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>> our logo which features a Phoenix rising from the ashes
>> =
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>> The third prong of our offerings will be an intermediate mouthpiece that
> has
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>> one consensus facing and is also CNC machined from hard rubber called =
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>> Chedeville "Prime" at an affordable price.
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>> I am not and will not be a custom mouthpiece maker, only a mouthpiece =
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>> manufacturer.
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>> L. Omar Henderson
>> =
>> =
>> =
>> =
>> =
>> _______________________________________________
>> Klarinet mailing list
>> Klarinet@-----.com
>> To do darn near anything to your subscription, go to:
>> http://klarinet-list.serve-music.com
> =
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