Klarinet Archive - Posting 000074.txt from 2011/07

From: dickwilliams <dickwilliams@-----.com>
Subj: Re: [kl] albert?
Date: Tue, 12 Jul 2011 13:24:51 -0400

I thought Mazzeo and Stubbins were to improve the throat
Bflat intonation ... they certainly did.
Dick W
----- Original Message -----
From: bhausmann1@-----.net
To: The Klarinet Mailing List <klarinet@-----.com>
Subject: Re: [kl] albert?
Date: Tue, 12 Jul 2011 12:09:11 -0500

>Mazzeo only added some mechanism, but the added mechanical
>complexity did not justify itself.Bill HausmannIf you have
>to mic a saxophone, the rest of the band is TOO LOUD! Sent
>from my iPhoneOn Jul 12, 2011, at 9:00 AM, hns692@-----.com
>wrote:> > This all reminds me of the Mazzeo system which, I
>am told, was actually easier to use (once one became facile
>with it), but never overcame the Boehm system. My guess is
>that the economics of a major switch in systems is cost
>prohibitive on a fronts.> > Lee Ann Hansen> > > >
>-----Original Message-----> From: Martin Baxter
><martinbaxter1@-----.com>> To: The Klarinet Mailing List
><klarinet@-----.com>> Sent: Tue, Jul 12, 2011 4:27
>am> Subject: Re: [kl] albert?> > > > n 11 Jul 2011, at
>22:41, Finn Jespersen wrote:> > i Bill and List! I
don=C2=B4t
>think that one uses the Oehler system just because one >
>oes not want to use a french system! As far as I know the
>Oehler system is > equired in every german orchestra
>because it mixes better with the other > oodwind
>instruments and because it sounds better than the Boehm
>system (more > oft). In other words, they have another
>idiom! Isn=C2=B4t that ok? Remember that > ome of the best
>clarinettists in the world plays the Oehler system, Sabine
>> eyer and Karl Leister! >> From: Martin Baxter, Ulverston
>, UK.> I have come across several 'Dixieland/trad. jazz '
>players who also consider the > lbert system and
>derivatives, of which I suppose the Oehler is one, have a >
>istinctly better tone than the Boehm. It isn't only an
>Eastern European idea. > ome to that the French bassoon,
>well played, sounds to my ears much better than > he
>Almenraeder-Heckel; bt I still play that system (because it
>is easier to > ontrol and far less fussy about reeds). I
>know from IDRS that many American > layers would agree
>about the sound yet how many bassoonists on your side of
>the > ond play the French system?> artin> >
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