Klarinet Archive - Posting 000512.txt from 2010/11

From: "=?iso-8859-1?Q?sarah=20elbaz?=" <sarah@-----.com>
Subj: Re: [kl] =?iso-8859-1?q?Sabine_Meyer_=26_movement?=
Date: Tue, 30 Nov 2010 23:12:01 -0500

They were playing Milhaud trio standing? =

Sarah

> -------Original Message-------
> From: Rachel Roessel <gsurosey@-----.com>
> To: The Klarinet Mailing List <klarinet@-----.com>
> Subject: Re: [kl] Sabine Meyer & movement
> Sent: 30 Nov '10 10:55
> =

> > But physical expression=A0=A0is best when it is relevant to the music =
and does not
> >dominate or detract=A0=A0from it.
> =

> I had nothing to contribute to this thread until I saw a chamber music h=
onors
> recital at Kilbourn Hall last night. The first piece was a piano/clarine=
t/violin
> trio by Milhaud (I don't remember the title; lost my program). Wai Ki Wu=
n was
> the clarinetist (I recognized him from another concert earlier in the se=
mester;
> he plays contrabass clarinet in the Eastman Wind Orchestra. He's also pl=
aying a
> recital later this week and I saw it on the upcoming events, or I would =
have no
> clue what his name was). This performance was my first experience with w=
hat I
> perceived as excessive movement. And boy, there was lots of that from hi=
m. It
> was distracting to the point that my attention went there in stead to wh=
at he
> was playing. I didn't notice it when I saw him earlier in the semester, =
but it's
> easier to move around standing with a soprano clarinet rather than seate=
d with a
> contrabass clarinet.
> =

> Rachel
> =

> =

> =

> =A0=A0=A0=A0=A0=A0
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