Klarinet Archive - Posting 000418.txt from 2010/11
From: "=?iso-8859-1?Q?sarah=20elbaz?=" <sarah@-----.com> Subj: Re: [kl] =?iso-8859-1?q?Sabine_Meyer?= Date: Fri, 26 Nov 2010 04:48:07 -0500
Thank you Arthur,
Sabine Meyer moves , and her movements are musical and convincing. =
She is also a very lucky women , not only because of her talent and success=
- but also because =
she gets wonderful support from her husband Reiner Wehle and her brother Wo=
lfgang Meyer. Thank to both of them
she can survive the unbelivable sexism around her. =
Sarah
> -------Original Message-------
> From: Arthur Acheson <arthur.acheson@-----.com>
> To: The Klarinet Mailing List <klarinet@-----.com>
> Subject: Re: [kl] Sabine Meyer
> Sent: 26 Nov '10 08:07
> =
> =
> On 25 Nov 2010, at 10:30, Taylor, Noel wrote:
> =
> Music has rhythm, the body feels it - the body wants to move. Dance=A0=
=A0
> is deep in us - and after all, a lot of classical music, including=A0=A0
> Mozart, is based on the dances of the period. What the heck is the=A0=A0
> problem about moving? It's natural.
> =
> Question. How natural, as opposed to learned, is the type of movement=A0=
=A0
> in the Sabine Meyer video?
> I ask this as I have worked with blind musicians and observed blind=A0=
=A0
> musicians such as Roland Kirk, Ray Charles, etc. and their movements=A0=
=A0
> are of a totally different kind. Could this be because their=A0=A0
> movements are 'natural' as opposed to affectations?
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> =
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