Klarinet Archive - Posting 000091.txt from 2010/10
From: "Keith Bowen" <keith.bowen@-----.com> Subj: Re: [kl] Goodman/Bartok/Contrasts Date: Sun, 17 Oct 2010 18:46:30 -0400
Does anyone have a contact email or address for Gunther Schuller? I want to
contact him on another matter.
Thanks, Keith
-----Original Message-----
From: Shaw, Tim [mailto:Tim.Shaw@-----.au]
Sent: 17 October 2010 23:18
To: The Klarinet Mailing List
Subject: Re: [kl] Goodman/Bartok/Contrasts
Collier's book (I have a copy which I checked) doesn't say anything useful
and doesn't provide any primary references on the topic.
If someone like Gunther Schuller has written anything about Bartok/Goodman
connection, it *would* be worth chasing up.
-----Original Message-----
From: David B. Niethamer [mailto:dniethamer@-----.net]
Sent: Friday, 15 October, 2010 11:26 PM
To: The Klarinet Mailing List
Subject: Re: [kl] Goodman/Bartok/Contrasts
On Oct 15, 2010, at 3:00 AM, Tony Pay wrote:
> A Spanish student of mine wants to research Bartok's relationship with
Goodman in the genesis of the Contrasts.
>
> Is there an obvious English language source?
>
Off the top of my head - sorry - no time to look in any detail right at the
moment -
James Lincoln Collier's biography of Goodman. There may be better Goodman
bios, but that's the one I know and own.
Halsey Stevens' biography of Bartok.
these books might point to more primary source material - don't know for
sure, and don't have time to check right now.
Also, Maureen Hurd (Hause) did her thesis on some of Goodman's classical
commissions. She's at Rutgers U in New Jersey (US), dissertation at Yale.
You can find her on Facebook.
HTH
David
David B. Niethamer
dniethamer@-----.net
Clarinets, like lawyers, have cases, mouthpieces, and they need a constant
supply of hot air in order to function. (Victor Borge)
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