| Klarinet Archive - Posting 000442.txt from 2010/08 From: Jennifer Jones <helen.jennifer@-----.com>Subj: Re: [kl] Spit leakage on mouthpiece
 Date: Mon, 30 Aug 2010 22:20:21 -0400
 
 On Mon, Aug 23, 2010 at 10:45 PM, Jennifer Jones
 <helen.jennifer@-----.com> wrote:
 > To be thorough, I could test these thoughts by checking whether I can
 > get liquid bubbling out the sides of the mouthpiece.
 
 [snip]
 
 So, I can get liquid bubbling out the side of my mouthpiece.  I use a
 limper tongue; moving saliva onto it (no phlegm).  I also have trouble
 keeping my bottom lip from chapping when I do that.  To solve that, my
 lips turn a bit inside out and I use the mucosal (wet) portion on the
 reed, rather than the dry outer part of my lip.  Long term that
 doesn't help me with the chapping as much as keeping the mouth dry.
 
 I can easily see how the tongue could get extra wet and saliva collect
 when one gets tired.
 
 I only play soprano clarinet and this as a hobby that comes in stints;
 I am on a rather intense stint now.  Sometimes I may play as much as 3
 or 4 hours in a day.  Other times, I may go without playing for months
 or even a couple years at one point.  I did try playing alto saxophone
 a couple weeks and tenor saxophone for a year in band in high school,
 but I often sounded like a dying goose and had a hard time keeping my
 embouchure loose enough to play the low notes.  I don't think that
 qualifies as being a multi-instrumentalist.
 
 Now that I've thought about it a bit, I think there was a person in
 band in high school who would get spit bubbling from the sides of the
 mouthpiece, though by that time, kids don't make a big deal of it
 publicly and in my case, because I was just trying to keep my own
 affairs in order.  That person played fine and went on to become
 section leader.  I'd say that person's playing was more consistent
 than mine; I tend to have a roller coaster sort of quality.  Sometimes
 I am really good and other times not so.  This person could play at a
 good volume with good tone and articulation.  She was heard well.
 That was high school.  Later, orchestra instructor in college
 complained that she couldn't hear me most of the time.  Though I must
 have been good enough for the Hebrides solo, because I was assigned to
 it.  My favorite piece that we played was Brahms Variations on a Theme
 by Haydn.  Nice because it isn't so much the baseball sort of playing;
 the clarinets have some good long parts more like concert band than
 many orchestral pieces with the seventy bar rests, ten notes with a
 dreadful interval between the throat and altissimo followed by another
 couple hundred rests.  My difficulty was probably partly due to not
 having much orchestral experience.
 
 The thing that happens to me when I get tired is the corners of my
 mouth do not stay closed and I get air leakage.  It is funny because
 it did not happen until after I got lessons, when I saw my teacher
 doing that.  This was in high school; it was also when I became
 section leader and started playing more (I felt I needed to get
 lessons to be an effective section leader).  All my previous
 instruction was group lessons in public school.  A lesson I draw from
 this is not to get lessons unless one has enough money or knows how to
 take care of people.  On the other hand, I did learn a lot despite
 picking up a bad habit.  I wouldn't have worked on Mozart's clarinet
 concerto and probably never would have worked as extensively with the
 Baermann books that mom had from when she was a kid.  The air leakage
 may also have developed anyway, because I was playing more.
 
 My favorite piece in the Baermann books is the Tarantella in the first
 book.  The extended scales in the second book are cool too.
 
 -Jennifer
 
 Rachel Roessel wrote on Mon, Aug 16, 2010 at 12:36 PM:
 
 I've noticed that during when I play (especially later on into a rehearsal), I
 have spit that leaks on the outside of my mouthpiece where the reed connects. I
 know this happens on my Bb/A (Vandoren 5RV 13 mpc w/ Optimum ligature); I
 haven't taken the time to pay attention to see if this happens on the others
 (eefer/bass/alto sax).
 
 ---------------------------------------------
 
 Hebrides:
 http://www.youtube.com/watch?v=a3MiETaBSnc
 http://imslp.org/wiki/The_Hebrides,_Op.26_%28Mendelssohn,_Felix%29
 
 var. theme by haydn:
 http://www.youtube.com/watch?v=vB_5-LfF5y0
 http://www.youtube.com/watch?v=DSxp9XV2G8U&feature=related
 http://imslp.org/wiki/Variations_on_a_Theme_by_Haydn,_Op.56_%28Brahms,_Johannes%29
 
 I liked watching this conductor; seems to have good technique, like
 mine in college:
 http://www.youtube.com/watch?v=3FMimjWngwk&feature=related
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