Klarinet Archive - Posting 000259.txt from 2010/06

From: John Brophy <johnbrophy0@-----.com>
Subj: Re: [kl] Sharing music
Date: Tue, 29 Jun 2010 20:22:02 -0400

mozart himself suffered from the attentions of Triebensee, who could have a
Harmonie version of tunes from the latest opera pirated overnight. Also
think of Tchaikovsky enduring huge digestive problems because he thought
someone else would think of using the celesta -- or of Verdi concealing La
donna e mobile until the dress rehearsal. For a 20th century example we
have the Colonel Bogey march in Bridge on the River Kwai... even if Kenneth
Alford was a pen-name

On Fri, Jun 25, 2010 at 1:16 PM, Martin Baxter <martinbaxter1@-----.com> wrote:

> Is there not evidence that Mozart was able to do precisely this with the
> Allegri 'Miserere" so jealously guarded by the Papal choir.
> Martin
> On 24 Jun 2010, at 23:27, Oliver Seely wrote:
>
> >
> > Aren't there verifiable incidents of pre-copyright composers jealously
> guarding their autographs from copyists? On reading about subsequent
> performances of such works by others I conjure up a distorted vision of
> members of the audience with photographic memories and lightning fast
> penmanship, prepared to whip out an illicit copy of the work. Human xerox
> machines!
> >
> > Oliver
> >
> >> Date: Fri, 25 Jun 2010 00:20:46 +0200
> >> From: joseph.wakeling@-----.net
> >> To: klarinet@-----.com
> >> Subject: Re: [kl] Sharing music
> >>
> >> On 06/24/2010 06:45 PM, Gary Van Cott wrote:
> >>> If we don't all respect copyrights little new music will be produced
> >>> because composers won't be able to make a living. No one will complain
> >>> if you make these for your own personal education and practice but once
> >>> you start sharing them you are violating copyright laws.
> >>
> >> This would be why Bach, Mozart, Beethoven and many others were not able
> >> to make a living as composers ... ? :-)
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--
John Brophy
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