Klarinet Archive - Posting 000068.txt from 2010/06

From: Matvey Kostukovsky <matvelius@-----.com>
Subj: Re: [kl] pickup for clarinet
Date: Fri, 04 Jun 2010 14:26:50 -0400

In my experience (AMT mic + AT impedance transformer), turning on phantom
power has not affected the effect pedals I put in between the mic and the
preamp, although I've never been able to get a straight answer on whether or
not it could. Just recently I read that if you're gonna supply phantom
power to a dynamic mic, you better make sure the circuitry is balanced
(which it should be in most) - but what's the circuitry like in all those
little distortion pedals? Idk.

The best distortion sound I was able to get was through the 1980's Sovtek
BigMuff-Pi (the exact model David Gilmour of Pink Floyd used on his amazing
solos). Here's a sample: http://www.rockclarinet.com/SamplesSWF/27.swf
Compare that to clean: http://www.rockclarinet.com/SamplesSWF/00.swf And
here's a funny example of how a sound like that (with some other effects)
could be used in Heavy Metal, lol:
http://www.rockclarinet.com/SamplesSWF/HeavyMetal.swf

On Fri, Jun 4, 2010 at 1:08 PM, Benjamin Maas <benmaas@-----.com>wrote:

> The issue is not enough vibration- the issue is levels. If you have a box
> that is made for a line level input, you need to boost the input level for
> the box to work properly. It is all about gain staging and knowing the
> levels that your rig will work with...
>
> --Ben
>
> Benjamin Maas
> Fifth Circle Audio
> Long Beach, CA
>
>
> > -----Original Message-----
> > From: fred jacobowitz
> > Subject: Re: [kl] pickup for clarinet
> >
> > Good question, actually. When when I send through a distortion pedal
> > or box, the signal doesn't have enough vibration (as in the
> > instrument actually vibrating) to get significant distortion. I think
> > that's why string instruments, which mike on the bridge, work so
> > well. I think the distortion box doesn't work well with acoustical
> > sound, tho I don't know why that should be true.
> >
>
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