Klarinet Archive - Posting 000068.txt from 2010/04

From: "John Gates" <cadenza@-----.com>
Subj: Re: [kl] K. 622 in G?
Date: Thu, 22 Apr 2010 01:24:00 -0400

I believe that James Galway recorded the K622 for flute and orchestra. I
just thought it was a transcription and believe that it was transposed to G
Major as Mozart had sketched for basset horn. I remember that I didn't
enjoy it; as Galway, for my taste, tends to force the music and of course
over personalize it. Anybody else hear this Galway version?

John Gates

-----Original Message-----
From: Tammy Holland [mailto:tholland@-----.com]
Sent: Wednesday, April 21, 2010 5:45 PM
To: 'The Klarinet Mailing List'
Subject: Re: [kl] K. 622 in G?

Bear,

May I use your Mozart quote please? I love it and think my friends deserve
to read it as well!

Tammy Holland
Owner/Senior Consultant
Arizona Elegant Events
'Because it's your day and you have a say!'
480-495-1996
www.azelegantevents.com

-----Original Message-----
From: Bear Woodson [mailto:bearwoodson@-----.net]
Sent: Tuesday, April 20, 2010 8:08 PM
To: Klarinet List
Subject: [kl] K. 622 in G?

This is likely another question for Mr. Leeson. Years
ago I read somewhere that Laughing Boy somehow had
the time to Transpose his entire K. 622 Clarinet Concerto
to G Major for Flute, even though he had only finished
the A Major Clarinet Concerto Version just 2 months
before his death!

But in more recent years I find information on the
Internet of Early G Major Basset Horn Sketches (maybe
sometimes called K. 621a?) with NO Mention of a Flute
Concerto Transcription.

Am I completely wrong in thinking that there was a
Third Mozart Flute Concerto, as a transcription of the
Clarinet Concerto into G Major? Or is that correct, but
merely difficult to verify? Inquiring chicken-cackling-
laughing Minds want to know!

Bear Woodson, Composer

Home: 520 - 881 - 2558
"Bear Woodson" <bearwoodson@-----.net>

"Some people say that the "Mozart Effect" is when
"children get smarter after listening to Mozart's Music". I
say, "That's ridiculous! Look instead at the Effect that
Mozart's music had on himself! He spent all of his free time
chasing pretty women and laughing like a cackling chicken!"
Therefore we know that the TRUE Mozart Effect is to do the
same! But for those guys, like me, who aren't any good at
laughing like a cackling chicken, we have to compensate by
trying to charm women in bars, while wearing a Chicken
Suit! I can attest from personal experience that the Mozart
Effect has NOT been too successful for my love life!"
- Bear Woodson (2001)

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