Klarinet Archive - Posting 000060.txt from 2009/09

From: David Thomas <dtclarinet@-----.com>
Subj: Re: [kl] Re: Jeanjean etudes
Date: Wed, 16 Sep 2009 17:49:55 -0400

Is the Nyfenger book referring to the clarinet etudes? or flute? do
you, or anyone on this list, own it? I am happy to purchase it, if
only for it's references to the interpretation of Jeanjean in general.

On Wed, Sep 16, 2009 at 5:39 PM, John Ranck <drjayjr@-----.com> wrote:
>
> Paul Nyfenger, et al., have published a second book, compiled of his
> father, Tom Nyfenger's notes. The book is called "Beyond the Notes"
> and includes some of Tom's accompaniments (that he would improvise
> when we studied the Jeanjean with him). Details at
> <http://nyfenger.com/>. JR
>
> On Wed, Sep 16, 2009 at 5:01 PM, =A0<klarinet-digest-help@-----.org> w=
rote:
> > klarinet Digest 16 Sep 2009 21:01:01 -0000 Issue 8498
> >
> > Topics (messages 96784 through 96790):
> >
> > back to Reis' pieces
> > =A0 =A0 =A0 =A096784 by: Dan Leeson
> > =A0 =A0 =A0 =A096785 by: Gary Van Cott
> >
> > Re: Music I did not know
> > =A0 =A0 =A0 =A096786 by: Joseph Fasel
> > =A0 =A0 =A0 =A096788 by: Dan Leeson
> > =A0 =A0 =A0 =A096789 by: Joseph Fasel
> >
> > Jeanjean etudes
> > =A0 =A0 =A0 =A096787 by: David Thomas
> >
> > Mouthpiece Bores
> > =A0 =A0 =A0 =A096790 by: Karl Krelove
> >
> > Administrivia:
> >
> > To subscribe to the digest, e-mail:
> > =A0 =A0 =A0 =A0klarinet-digest-subscribe@-----.org
> >
> >
> > To post to the list, e-mail:
> > =A0 =A0 =A0 =A0klarinet@-----.org
> >
> >
> > ----------------------------------------------------------------------
> > Date: Wed, 16 Sep 2009 10:22:44 -0700
> > To: "Klarinet" <klarinet@-----.org>
> > From: "Dan Leeson" <dnleeson@-----.net>
> > Subject: back to Reis' pieces
> > Message-ID: <14C85EF870FF435594B938F0A68D40C3@danielsys>
> >
> > Last night, while falling asleep, I had the Sirius classical station
> > playing. =A0And what popped up? =A0Reis' trio for clarinet, cello, and =
piano.
> >
> > A lovely piece. Never heard or heard of it before. So little time, so m=
uch
> > to learn about.
> >
> > Dan Leeson
> >
> > ------------------------------
> >
> > Date: Wed, 16 Sep 2009 10:33:00 -0700
> > To: klarinet@-----.org
> > From: Gary Van Cott <gary@-----.com>
> > Subject: Re: [kl] back to Reis' pieces
> > Message-ID: <4AB1214C.6040605@-----.com>
> >
> > This is a Breitkopf (Musica Rara) publication. =A0We sell it for $29.95=
.
> > Only one copy in stock but we will be ordering again from Breitkopf sho=
rtly
> >
> > http://www.vcisinc.com/clarinetmusicstrings.htm#C1333
> >
> > Gary
> > +---------------------------------------------------------------------
> > | =A0Gary Van Cott - Van Cott Information Services, Inc.
> > | =A0Woodwind and Brass: Books, Music, CDs and More
> > | =A0http://www.vcisinc.com/ =A0--> VISA MasterCard Discover AmExp <--
> > | =A0P.O. Box 9569, Las Vegas, NV 89191, USA
> > | =A0Phone: 702-438-2102 Fax: 801-650-1719 =A0Email: Gary@-----.com
> > | =A0Become a VCIS Inc Facebook fan: http://tinyurl.com/vcisinc-faceboo=
k
> > +---------------------------------------------------------------------
> >
> > Dan Leeson wrote:
> >> Last night, while falling asleep, I had the Sirius classical station
> >> playing. =A0And what popped up? =A0Reis' trio for clarinet, cello, and=
piano.
> >>
> >> A lovely piece. Never heard or heard of it before. So little time, so
> >> much to learn about.
> >>
> >> Dan Leeson
> >>
> >> ------------------------------------------------------------------
> >>
> >
> > ------------------------------
> >
> > Date: Wed, 16 Sep 2009 13:09:58 -0600
> > To: klarinet@-----.org
> > From: Joseph Fasel <jhfasel@-----.com>
> > Subject: Re: [kl] Music I did not know
> > Message-ID: <23b20bf20909161209j44645bcarf241a20d67d44968@-----.co=
m>
> >
> > On Tue, Sep 15, 2009 at 11:01 AM, Dan Leeson <dnleeson@-----.net> w=
rote:
> >> And of course, that leads to a request for Ries pieces!
> >
> > Ries's pieces? =A0;-)
> >
> > --Joe
> >
> > ------------------------------
> >
> > Date: Wed, 16 Sep 2009 13:23:24 -0700
> > To: <klarinet@-----.org>
> > From: "Dan Leeson" <dnleeson@-----.net>
> > Subject: Re: [kl] Music I did not know
> > Message-ID: <E6CE26D3C93640AC938AA88780BBADB9@danielsys>
> >
> > Grammatically, I think it might be "Ries' pieces." =A0The question alwa=
ys
> > arises about the possessive case for words that end in either s or z.
> >
> > Dan
> > ----- Original Message -----
> > From: "Joseph Fasel" <jhfasel@-----.com>
> > To: <klarinet@-----.org>
> > Sent: Wednesday, September 16, 2009 12:09 PM
> > Subject: Re: [kl] Music I did not know
> >
> >> On Tue, Sep 15, 2009 at 11:01 AM, Dan Leeson <dnleeson@-----.net>
> >> wrote:
> >>> And of course, that leads to a request for Ries pieces!
> >>
> >> Ries's pieces? =A0;-)
> >>
> >> --Joe
> >>
> >> ------------------------------------------------------------------
> >>
> >
> > ------------------------------
> >
> > Date: Wed, 16 Sep 2009 14:30:46 -0600
> > To: klarinet@-----.org
> > From: Joseph Fasel <jhfasel@-----.com>
> > Subject: Re: [kl] Music I did not know
> > Message-ID: <23b20bf20909161330s30496f53w1ec877a14f4f6267@-----.co=
m>
> >
> > Strunk and White say it must be "Ries's", but I was only making a
> > feeble joke with reference to a certain peanut-butter-and-chocolate
> > confection.
> >
> > --Joe
> >
> > On Wed, Sep 16, 2009 at 2:23 PM, Dan Leeson <dnleeson@-----.net> wr=
ote:
> >> Grammatically, I think it might be "Ries' pieces." =3DA0The question a=
lways
> >> arises about the possessive case for words that end in either s or z.
> >>
> >> Dan
> >> ----- Original Message ----- From: "Joseph Fasel" <jhfasel@-----.com>
> >> To: <klarinet@-----.org>
> >> Sent: Wednesday, September 16, 2009 12:09 PM
> >> Subject: Re: [kl] Music I did not know
> >>
> >>
> >>> On Tue, Sep 15, 2009 at 11:01 AM, Dan Leeson <dnleeson@-----.net>
> >>> wrote:
> >>>>
> >>>> And of course, that leads to a request for Ries pieces!
> >>>
> >>> Ries's pieces? =3DA0;-)
> >>>
> >>> --Joe
> >
> > ------------------------------
> >
> > Date: Wed, 16 Sep 2009 15:57:29 -0400
> > To: klarinet@-----.org
> > From: David Thomas <dtclarinet@-----.com>
> > Subject: Jeanjean etudes
> > Message-ID: <8eaceeef0909161257t1845bb7ar88b53a4ba924fbf9@-----.co=
m>
> >
> > Hello fellow clarinetists,
> >
> > I am beginning a project to analyse, master and perform all the works
> > from the Book of 18 Etudes of Paul Jeanjean in the next year. I'll be
> > posting on my blog buzzingreed.com, and also on twitter (@dtclarinet)
> > about the experience and process. Though I have performed many of
> > them, I will now do so with all in this project. Any comments and/or
> > suggestions about the pieces and their performance are welcome.
> >
> > I just posted the introductory article today. Please stop by and say
> > hello. www.buzzingreed.com.
> >
> > David
> >
> > ------------------------------
> >
> > Date: Wed, 16 Sep 2009 16:34:03 -0400
> > To: <klarinet@-----.org>
> > From: "Karl Krelove" <karlkrelove@-----.net>
> > Subject: Mouthpiece Bores
> > Message-id: <000001ca370d$07f9e2c0$17eda840$@net>
> >
> > I'll skip over the possible double meaning of "bores" for now - too eas=
y.
> >
> > Is there a standard way to measure the bore width and the taper of the =
back
> > bore of clarinet and sax mouthpieces short of cutting the mouthpiece in=
half
> > or renting time with expensive X-ray equipment? When I use a taper gaug=
e
> > meant to measure barrels I'm not really sure what it's actually measuri=
ng -
> > is the gauge stopping at the narrowest point inside, or is it indicatin=
g the
> > actual width at the opening, or is it hitting the back of the window an=
d
> > just won't go in any farther (so I'd be getting some indication of the
> > distance from the end to the throat, but not a width measurement at all=
)?
> >
> > I know lots of players who will hold a mouthpiece up to look through it=
and
> > declare it has a narrow throat or an open one, but that seems like look=
ing
> > at the tip of a mouthpiece and deciding by eye how open it is. Are ther=
e
> > tools or instruments that can give more precise measurements at reasona=
ble
> > cost (like a Brand gauge for bores)?
> >
> > I'm interested in comparing mouthpieces, not getting an absolute
> > measurement. It would be interesting to know if certain pitch or timbre
> > tendencies of certain mouthpieces correlate to differences in bore
> > dimensions rather than those of the facing or the chamber.
> >
> > Thanks for any input,
> > Karl
> >
> > ------------------------------
> >
> > End of klarinet Digest
> > ***********************************
> >
>
>
>
> --
> John Ranck, DMA
> drjayjr@-----.com
> Please visit my website at: http://johnranck.net
>
> ------------------------------------------------------------------
>

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