Klarinet Archive - Posting 000151.txt from 2008/03

From: "Daniel Leeson" <dnleeson@-----.net>
Subj: RE: [kl] Leopold and Wolfgang
Date: Sat, 22 Mar 2008 13:27:38 -0400

And you say nothing about my dancing???????

-----Original Message-----
From: Matthew Lloyd [mailto:matthew@-----.uk]
Sent: Saturday, March 22, 2008 10:20 AM
To: klarinet@-----.org
Subject: RE: [kl] Leopold and Wolfgang

You misunderstand me. What I was saying was that to choose which of Mozart's
works to listen to on the basis of instrumentation is to miss some wonderful
music.

Most of the Piano Concertos, for example.

Matthew

-----Original Message-----
From: Daniel Leeson [mailto:dnleeson@-----.net]
Sent: 22 March 2008 16:07
To: klarinet@-----.org
Subject: RE: [kl] Leopold and Wolfgang

Matthew, people will listen to the music of a certain composer for a variety
of reasons. That you state a particular reason of obvious affection for
you, is a very narrow and parochial view, dismissing anyone else's opinion
and interests, saying, "You have to like it the way I like it."

Further anyone who ends a statement with the conclusion, "Full Stop" shows a
goodly amount of intransigence demonstrating that the full stopper accept no
views other than his or her own. It's intolerant.

The only reason I like Mozart is because it's terrific for dancing. If you
object to that, I'll have to dance a lot faster.

Dan Leeson
dnleeson@-----.net
SKYPE: dnleeson

-----Original Message-----
From: Matthew Lloyd [mailto:matthew@-----.uk]
Sent: Saturday, March 22, 2008 8:48 AM
To: klarinet@-----.org
Subject: RE: [kl] Leopold and Wolfgang

Probably heresy, but I'd suggest listening to Mozart because it is first
rate music, and leave the "I'll listen as it has a clarinet in it" for
others.

Mozart wrote wonderfully. Full stop.

Matthew

-----Original Message-----
From: Angelia Fagg [mailto:arfagg@-----.com]
Sent: 22 March 2008 10:20
To: klarinet@-----.org
Subject: [kl] Leopold and Wolfgang

I've been doing some research on Mozart, and I've run across something that
puzzles me. Several of the articles/ web sites that I've read say that
Leopold was a domineering, cold, ambitious impressario who didn't even love
his children and used them to satisfy his own lust for fame. Several others
say he was actually very loving and caring and really believed Wolfgang and
Nannerl enjoyed traveling and performing as much as he did, and that he knew
what was best for them. It seems to me that the truth must be somewhere in
between the two, but I'm curious what others on the list think about it.

Also, does anyone know of a web site or book that lists the instrumentation
for all of Mozart's works? Actually, what I need is a list of all the works
that include clarinet. I've been listening to the symphonies and serenades,
and I've gotten interested in the way he used clarinet in different works
and at different periods of his life. Essentially, I've assigned myself a
huge research project, and now I need to find a starting point!!!!

Thanks,
Angelia

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