Klarinet Archive - Posting 000272.txt from 2006/10

From: Felino Furioso <comunycorriente@-----.com>
Subj: RE: [kl] Margaret on Sabine Meyer's performance of K. 581
Date: Wed, 18 Oct 2006 19:56:05 -0400

Dan,

As far as I read, the article talks about the "lack
of" cadenzas in Mozart's clarinet concerto. They
explain why those fermatas are not cadenzas, and, to
see how they can be developed, they made transcription
of the most known recordings. They explain this matter
as you do (well, almost!)
Those transcriptions are all in this link (pdf):

http://www.clariperu.org/CadenciasClariperu.pdf

saludos,

--- dnleeson <dnleeson@-----.net> escribió:

> I must apologize because I do not read Spanish (nor
> even can I be
> certain that I recognize it). But if that brief
> discussion of
> what should happen in the Mozart concert at m. 127,
> is being
> spoken of as if it is an invitation to a cadenza,
> then the entire
> proposal has to be rejected. There is NO CADENZA in
> the concerto
> at m. 127 or anywhere else in that work.
>
> Therefore, if the purpose of that description is
> based on the
> assumption that the material at m. 127 is a cadenza
> (meaning that
> one should do things that are done in a cadenza),
> then the entire
> basis for the discussion is false.
>
> Dan Leeson
> DNLeeson@-----.net
>
>
>
>
>
>
>
>
>
> -----Original Message-----
> From: Felino Furioso
> [mailto:comunycorriente@-----.com]
> Sent: Wednesday, October 18, 2006 6:17 AM
> To: klarinet@-----.org
> Subject: Re: [kl] Margaret on Sabine Meyer's
> performance of K.
> 581
>
>
> talking about cadenzas, here are some transcriptions
> (Mozart clarinet concerto)... it could be a good
> start:
>
>
http://www.clariperu.org/Cadencias_concierto_Mozart.html
>
>
>
>
>
> --- dnleeson <dnleeson@-----.net> escribió:
>
> > If I fully understand what Margaret wrote about
> > Meyer's
> > performance of K. 581, she actually inserted a
> > cadenza where it
> > was not requested. Margaret wrote: "[In a
> > performance of the last
> > movement of K. 581] after the Eingang, and its
> > resolution, there
> > was a cadenza which modulated into a distant key."
> >
> > I have absolutely no reason to disbelieve what
> > Margaret wrote
> > about this matter. As such, this is a sad example
> of
> > Meyer's
> > failure to understand the nature and purpose of a
> > cadenza in an
> > 18th century composition. It is real case of a
> > square peg in a
> > round hole, and I'm amazed that such a gifted
> > performer would
> > make such a significant error of form.
> >
> > Dan Leeson
> > DNLeeson@-----.net
> >
> >
> >
> >
> >
> >
> >
> >
>
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>
>
> Felino
> http://felinofurioso.blogspot.com/
>
> Espacio para todos tus mensajes, antivirus y
> antispam ¡gratis!
> Regístrate ya - http://correo.espanol.yahoo.com/
>
>
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Felino
http://felinofurioso.blogspot.com/

Espacio para todos tus mensajes, antivirus y antispam ¡gratis!
Regístrate ya - http://correo.espanol.yahoo.com/

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