Klarinet Archive - Posting 000262.txt from 2006/10

From: Oliver Seely <oseely@-----.edu>
Subj: Re: [kl] Margaret on Sabine Meyer's performance of K. 581
Date: Wed, 18 Oct 2006 12:32:15 -0400

Finally some examples and some explanations of=20
substance in this thread. Thanks, Felino,

Oliver

At 06:17 AM 10/18/2006, you wrote:
>talking about cadenzas, here are some transcriptions
>(Mozart clarinet concerto)... it could be a good
>start:
>
>http://www.clariperu.org/Cadencias_concierto_Mozart.html
>
>
>
>
>
> --- dnleeson <dnleeson@-----.net> escribi=F3:
>
> > If I fully understand what Margaret wrote about
> > Meyer's
> > performance of K. 581, she actually inserted a
> > cadenza where it
> > was not requested. Margaret wrote: "[In a
> > performance of the last
> > movement of K. 581] after the Eingang, and its
> > resolution, there
> > was a cadenza which modulated into a distant key."
> >
> > I have absolutely no reason to disbelieve what
> > Margaret wrote
> > about this matter. As such, this is a sad example of
> > Meyer's
> > failure to understand the nature and purpose of a
> > cadenza in an
> > 18th century composition. It is real case of a
> > square peg in a
> > round hole, and I'm amazed that such a gifted
> > performer would
> > make such a significant error of form.
> >
> > Dan Leeson
> > DNLeeson@-----.net
> >
> >
> >
> >
> >
> >
> >
> >
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>
>Felino
>http://felinofurioso.blogspot.com/
>
>Espacio para todos tus mensajes, antivirus y antispam =A1gratis!
>Reg=EDstrate ya - http://correo.espanol.yahoo.com/
>
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