Klarinet Archive - Posting 000218.txt from 2006/10
From: "dnleeson" <dnleeson@-----.net> Subj: RE: [kl] Improvisation and ornamentation example Date: Tue, 17 Oct 2006 14:21:45 -0400
Well, it is a try of course, and I'm glad you are experimenting.
But the ornamenation is so excessive (and stylistically foreign)
that the tune gets hidden by the ornaments. It is more a
caricature of ornamentation than anything else, and one in which
the purpose is to cast a spotlight on the player rather than on
the music.
That style of performer dominated ornamentation is what one
expects in a set of variations on the Carnival of Venice; i.e.,
bold, dramatic, inventive, excessive, and where the hell is the
tune?
Moral: less is more.
Dan Leeson
DNLeeson@-----.net
-----Original Message-----
From: Oliver Seely [mailto:oseely@-----.edu]
Sent: Tuesday, October 17, 2006 11:05 AM
To: klarinet@-----.org
Subject: Re: [kl] Improvisation and ornamentation example
Here's my ornamentation on a fragment of K.622
www.csudh.edu/oliver/temp/spin622.mid
8-)
Oliver
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