Klarinet Archive - Posting 000205.txt from 2006/10

From: "dnleeson" <dnleeson@-----.net>
Subj: RE: [kl] Ornamentation Performance Practice
Date: Tue, 17 Oct 2006 10:09:43 -0400

Baroque interpretation, ornamentation, and improvisation is not a
specialty that is likely to be of help to an interest clarinet
player since we so rarely are involved in Baroque performances,
and classical ornamentation and improvisation is a horse of a
very different color.

Dan Leeson
DNLeeson@-----.net

-----Original Message-----
From: kurtheisig@-----.net]
Sent: Tuesday, October 17, 2006 12:10 AM
To: klarinet@-----.org
Subject: Re: [kl] Ornamentation Performance Practice

Steve Adelstein teaches Baroque interpretation, ornamentaion and
improvisation.

He is in Northern California for another week, and then will head
back to the San Diego area.

He is retired and in an RV, the best way to reach him is to call
(831) 345- 1826 and leave a message---OR-- call him between 9pm
and 10pm California time at that number. If you get his voice
mail leave a message.

He performed Baroque all over the world for decades and is a real
expert in that field.

Though he is retired, he does take students. Since he has an RV,
sometimes he is available in various places in the West for
clinics, such at the ones he does in our stores.

Kurt

-----Original Message-----
>From: Tim Roberts <timr@-----.com>
>Sent: Oct 16, 2006 9:53 AM
>To: Clarinet List <klarinet@-----.org>
>Subject: [kl] Ornamentation Performance Practice
>
>Dan has told us many times about the expectation of
improvisation in
>repeated sections and phrases in classical period literature. I
accept
>this as axiom, as I do everything that Dan utters.
>
>I am wondering, how do we know this? Are there documents that
describe
>it? Is it an oral tradition passed down from teacher to pupil
over two
>centuries? Are there performance transcripts with the
ornamentation
>written out?
>
>--
>Tim Roberts, timr@-----.com
>Providenza & Boekelheide, Inc.
>
>
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