Klarinet Archive - Posting 000082.txt from 2006/10

From: "Shaw, Kenneth R." <krshaw@-----.com>
Subj: [kl] Mozart Concerto -- Rondo Form
Date: Fri, 06 Oct 2006 17:26:25 -0400

Dan -

Given that the finale of the Mozart Concerto is in the most complex of
three rondo forms, what did Mozart expect Stadler to do=3F When Stadler
recognized the form, what would he have done that was different from how
he would have played a less complex rondo=3F

More to the point, now that I know that the finale is in a complex rondo
=66orm, what difference does it make in the way I play it=3F

I already recognize that the A section returns in any rondo form and do
something to mark the section break -- usually slowing down slightly and
emphasizing the fact that a break has occurred. I may play out on the
theme, to remind the audience (and myself) that the A section has
returned, or add an ornament, or give a "here it is again" nod to the
audience.

When the A section returns several times, I know that I'll need to mark
it each time, and perhaps add extra ornaments on the second and third
repetitions.

What should I know and do in addition, based on the more complex rondo
=66orm=3F

Ken Shaw

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