Klarinet Archive - Posting 000059.txt from 2006/01

From: "dnleeson" <dnleeson@-----.net>
Subj: RE: [kl] Gran Partitttta (K. 361)
Date: Thu, 05 Jan 2006 14:49:59 -0500

Don't mix metaphors. While the history of the Baroque cadenza
has an effect on the history of the classical cadenza, the rules
of what one does in one type of cadenza vs. the other type are
quite different.

It would be as if you took the rules for a tenor sax solo in
Royal Garden Blues, and applied them to a guitar solo in a
smash-em-up rock group.

Period rules change and it is unwise to use a predecessor period
to guide you in a later period.

That is two more pizzas, for a total of 153.

Dan Leeson
DNLeeson@-----.net

-----Original Message-----
From: Joseph H. Fasel [mailto:jhf@-----.gov]
Sent: Thursday, January 05, 2006 11:43 AM
To: klarinet@-----.org
Subject: RE: [kl] Gran Partitttta (K. 361)

And as I said, I've been told that the one-breath rule applies to
the
cadenzas of Baroque arias, from which the later Classical
instrumental
cadenza developed.

--Joe

On Thu, 2006-01-05 at 12:27, Lacy, Edwin wrote:
> <<<An Eingang is short. If it is longer than 10-15 seconds,
it's
> too long.>>>
>
> I once received advice to the effect that an eingang should be
able to
> be played on one breath. A cadenza, on the other hand, might
involve
> many breathing places.
>
> Ed Lacy
> University of Evansville

-----------------------------------------------------------------
--
Klarinet is a service of Woodwind.Org, Inc.
http://www.woodwind.org

-------------------------------------------------------------------
Klarinet is a service of Woodwind.Org, Inc. http://www.woodwind.org