Klarinet Archive - Posting 000012.txt from 2006/01

From: "Keith" <bowenk@-----.com>
Subj: RE: [kl] Gran Partita (K. 361)
Date: Tue, 03 Jan 2006 16:59:09 -0500

My most treasured memory from the time when Dan led our masterclass on the
Gran Partitta was his comment when the first clarinet did a particularly
beautiful eingang:

"That was terrific!, Now, NEVER DO THAT ONE AGAIN!"

Keith Bowen
President, Kammermusik Workshops, Inc.
www.kammermusikworkshops.org
--------------------------------------------

>
> 1. The hold on the dominant 7th at measure 14. Should
> clarinet 1 do an improvised eingang? If not, why not?
>
> ABSOLUTELY!! EVERY EINGANG IN THAT WORK BELONGS TO THE
> CLARINETIST. OTHER WORKS, SUCH AS THE C MINOR OCTET, HAVE
> EINGANGE FOR OBOE, BUT IN 361, IT'S ALL CLARINET. REMEMBER
> THAT THE PERSON WHO PLAYS THE MELODY AFTER THE EINGANG IS
> OVER, IS THE ONE WHO PLAYS THE EINGANG. AND IT SHOULD
> DIFFERENT EVERY TIME.
> PLAY IT TWICE THE SAME WAY, AND YOU ARE IN A WORLD OF TROUBLE.
>

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