Klarinet Archive - Posting 000358.txt from 2005/02

From: "dnleeson" <dnleeson@-----.net>
Subj: RE: [kl] composer's intentions
Date: Wed, 23 Feb 2005 13:36:37 -0500

But I met Hindemith. Initially he was more humble. Because he
ended every single movement of every single work with a major
chord I asked him if I could change the one in the clarinet
sonata to a minor chord. He ceased being humble and kicked me in
the ass for asking. Now that he is dead, I suppose it is OK to do
it.

Dan Leeson
DNLeeson@-----.net

-----Original Message-----
From: sarah elbaz [mailto:sarah@-----.com]
Sent: Wednesday, February 23, 2005 10:21 AM
To: klarinet@-----.org
Subject: Re: [kl] composer's intentions

Kurt,
Of course - that's because Hindemith was much more humble then
Dan Leeson....
Sarah
>
> When Steve Adelstein was breaking in oboe works for Hindemith
he asked him if he could change some things and Hindemith said it
was ok "You know more about oboe than I do".
>
> Kurt
>
> -----Original Message-----
> From: Peter Stoll <peterstoll2000@-----.ca>
> Sent: Feb 22, 2005 7:22 AM
> To: klarinet@-----.org
> Subject: [kl] composer's intentions
>
> What about the many clear cases of composers
> rearranging pieces themselves?:
>
> -Hindemith personally authorizing transcription of the
> Bassoon Sonata for bass clarinet
> -Prokofiev rearranging the Flute Sonata for violin
> -Khatchaturian authorizing transcribing the Violin
> Concerto for flute? (according to Rampal's liner
> notes)
>
>
> =====
> Peter Stoll
>
> University of Toronto
> Royal Conservatory of Music
> RCM College of Examiners
> Toronto Philharmonia
> ERGO ensemble
> Talisker Players
>
>
_____
> Post your free ad now! http://personals.yahoo.ca
>
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| costs a couple of bucks - what is the list worth? |
| https://secure.donax-us.com/donation/ |
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