Klarinet Archive - Posting 000006.txt from 2005/02

From: Tony Pay <tony.p@-----.org>
Subj: Re: [kl] K388
Date: Tue, 1 Feb 2005 16:12:54 -0500

On 28 Jan, I <tony.p@-----.org> wrote:

> ....I just wanted to add an even more startling divergence that I recently
> heard on the radio: in the English Concert's recording (Hyperion CDH55092)
> I, 32, the second clarinet goes from Ab to G natural after the first half
> note, and I think back up again halfway through the next bar (I didn't
> quite catch it, but that would seem necessary). I don't have the disc, so
> I can't say anything about the edition they use -- Colin Lawson is playing
> first clarinet, so I suppose I could ask him....

...and I did, and he said that the edition they used was the Camden one, and:

> ...it would be worth checking the provenance with them (and of course the
> autograph).

So, first of all, we have a question for Colin Touchin, who has access to the
Camden edition; namely: what does that edition contain at movt I bar 32?

Secondly, do they say what is the source of their edition, and, why does it
diverge from the autograph, which I take it was what the Baerenreiter edition
used? (As I remarked previously, like Dan I find the other divergencies from
the Baerenreiter that Colin Touchin noted to be unconvincing musically.)

Their website:

http://www.camdenmusic.com/html/camcat.htm

...says: "This edition returns to Mozart's original manuscripts to provide a
source for performance that is free from the ravages of the 19th century
editors, revealing some startling differences in what has, until now, been
considered the authentic version of these great works."

They also quote the Musical Times of London: "I have nothing but praise for
this thoroughly recommendable performing edition of this fine wind serenade
[KV388]"

I should say that when I wrote previously:

> the second clarinet goes from Ab to G natural after the first half note,
> and I think back up again halfway through the next bar (I didn't quite
> catch it, but that would seem necessary)

...I'd now think it more likely that the second clarinet went *down* to F
halfway through the next bar -- but as I said, I haven't been able to check
yet.

*This* divergence *is* musically convincing, of course. I'd say that Mozart
might easily have written it.

Tony
--
_________ Tony Pay
|ony:-) 79 Southmoor Rd tony.p@-----.org
| |ay Oxford OX2 6RE http://classicalplus.gmn.com/artists
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