Klarinet Archive - Posting 000267.txt from 2003/12

From: "CLARK FOBES {USER_LASTNAME}" <reedman@-----.netcom.com>
Subj: [kl] Copying Kaspar
Date: Wed, 10 Dec 2003 17:03:47 -0500

I believe any astute and creative clarinet mouthpiece maker in the US would
aknowledge a debt of gratitude to the Franks Kaspar for their wonderful
legacy and the huge influence they have had on several generations of
American players.

However, it is impossible to make a "Kaspar copy". As individuals we may
employ some design elements that can be attributed to Kaspar, but copying
the man's unique qualities is practically impossible. There are several
factors that influence the work of a maker. I aspire to an ideal sound in my
playing and try to create mouthpieces that adhere to that ideal. I am
externally influenced by the good tones that have been imprinted on my ear
through years of listening and isolating those sounds that appeal to me.
Internally, my unique physiology influences my sound in a way that cannot
be imitated. These elements directly affect my end product. I can no more
copy Kaspar than (were he alive!) he could copy my mouthpieces.

For those who use names of previous artisisans as a way of advertising their
products it may be more useful to say "in the style of....".

I like some elements if Kaspar and Chedeville mouthpieces, but there are
also some limitations and problems with many of these mouthpieces. Also,
approaches to playing are changing, clarinets are changing , available
blanks are changing and halls are changing. All of these make it more
interesting to explore new sounds and qualities in mouthpiece design than to
merely attempt to repeat the past.

Clark W Fobes

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