Klarinet Archive - Posting 000014.txt from 2003/12
From: "Buckman, Nancy" <nebuckman@-----.edu> Subj: RE: [kl] The season to kill bad ideas Date: Mon, 1 Dec 2003 12:00:32 -0500
The crossbow is strung and the guns are sighted-in, with ammo at hand. =
When do we fire?
Nancy
Nancy E. Buckman, CPO, AFO, Technical Assistant
School of Health Professions, Wellness and Physical Education
Anne Arundel Community College
Arnold, MD 21012-1895 USA
Phone 410-777-2316 Fax 410-777-2233
E-mail nebuckman@-----.edu
-----Original Message-----
From: Tony Pay [mailto:Tony@-----.uk]
Subject: Re: [kl] The season to kill bad ideas
On Mon, 01 Dec 2003 06:24:17 -0800, leeson0@-----.net said:
> OK. I'll bite. What physical property may be found in the Selmer=20
> clarinets (or vice versa) that allow them "to indeed sound different"=20
> from Buffet clarinets (or vice versa)? And once you describe that=20
> physical property, the next question is how does this difference=20
> manifest itself in a sound that is "heavy on the fundamentals and =
lower=20
> partials with relatively less energy in the upper partial (which you=20
> define as "dark")?"
What physical property may be found in Dan Leeson (or vice versa) that =
allows
him "to indeed sound different" when he speaks from Tony Pay (or vice =
versa)?
And once you describe that physical property, the next question is how =
does
this difference manifest itself in a sound that is "heavy on the =
fundamentals
and lower partials with relatively less energy in the upper partial =
(which
you define as "dark")?"
Tony
--=20
_________ Tony Pay =20
|ony:-) 79 Southmoor Rd Tony@-----.uk
| |ay Oxford OX2 6RE =
http://classicalplus.gmn.com/artists
tel/fax 01865 553339
=20
... Mr. Worf, set phasors on spin dry.
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