Klarinet Archive - Posting 000010.txt from 2003/12

From: Dan Leeson <leeson0@-----.net>
Subj: Re: [kl] The season to kill bad ideas
Date: Mon, 1 Dec 2003 10:32:20 -0500

Tony Pay wrote:
> On Mon, 01 Dec 2003 06:24:17 -0800, leeson0@-----.net said:
>
>
>>OK. I'll bite. What physical property may be found in the Selmer
>>clarinets (or vice versa) that allow them "to indeed sound different"
>>from Buffet clarinets (or vice versa)? And once you describe that
>>physical property, the next question is how does this difference
>>manifest itself in a sound that is "heavy on the fundamentals and lower
>>partials with relatively less energy in the upper partial (which you
>>define as "dark")?"
>
>
> What physical property may be found in Dan Leeson (or vice versa) that allows
> him "to indeed sound different" when he speaks from Tony Pay (or vice versa)?
> And once you describe that physical property, the next question is how does
> this difference manifest itself in a sound that is "heavy on the fundamentals
> and lower partials with relatively less energy in the upper partial (which
> you define as "dark")?"
>
> Tony

A brilliant riposte!!! Now, as soon as I understand it, I'll dash off a
knockout blow.

Dan

--
Dan Leeson
leeson0@-----.net

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