Klarinet Archive - Posting 000008.txt from 2003/12

From: Tony@-----.uk (Tony Pay)
Subj: Re: [kl] The season to kill bad ideas
Date: Mon, 1 Dec 2003 10:05:47 -0500

On Mon, 01 Dec 2003 06:24:17 -0800, leeson0@-----.net said:

> OK. I'll bite. What physical property may be found in the Selmer
> clarinets (or vice versa) that allow them "to indeed sound different"
> from Buffet clarinets (or vice versa)? And once you describe that
> physical property, the next question is how does this difference
> manifest itself in a sound that is "heavy on the fundamentals and lower
> partials with relatively less energy in the upper partial (which you
> define as "dark")?"

What physical property may be found in Dan Leeson (or vice versa) that allows
him "to indeed sound different" when he speaks from Tony Pay (or vice versa)?
And once you describe that physical property, the next question is how does
this difference manifest itself in a sound that is "heavy on the fundamentals
and lower partials with relatively less energy in the upper partial (which
you define as "dark")?"

Tony
--
_________ Tony Pay
|ony:-) 79 Southmoor Rd Tony@-----.uk
| |ay Oxford OX2 6RE http://classicalplus.gmn.com/artists
tel/fax 01865 553339

... Mr. Worf, set phasors on spin dry.

---------------------------------------------------------------------
Klarinet is a service of Woodwind.Org, Inc. http://www.woodwind.org