Klarinet Archive - Posting 000785.txt from 2003/08

From: "Tim Parks" <tim.parks@-----.com>
Subj: Re: [kl] Berlin Phil
Date: Thu, 28 Aug 2003 08:12:20 -0400

Yes I saw the tail end of it and it was great. The oboe player really got a
work out. I, too, noticed the visually contact that the players had with one
another and the even the conductor. Did you notice that the conductor did
not use a score.

----- Original Message -----
From: "Antoine T. Clark" <trioarioso@-----.net>
Subject: [kl] Berlin Phil

> I just finished watching the Berlin Phil on PBS with Claudio Abbado.
AMAZING
> Stuff! Makes me want to practice. Wendel Fuchs (?) was amazing. He made
the
> it sound all so simple in Dvorak 9. His compact sound works well for my
> ears. I got to hear the Vienna Phil do the same work when I lived in
Detroit
> and I must say Berlin takes the prize. Also Emmanuel Pahud the flutist was
> superb as well as the oboist. I have seen the Cleveland Orchestra, the
> Cincinnati Symphony, and the Detroit Symphony and other orchestras in this
> country and I can say I have never seen them move their bodies around like
> Berlin. The movement doesn't matter. It what the orchestra sounds like
that
> matters. But when I was watching Berlin tonight I could see their sheer
> enjoyment. EVERYBODY MOVED!!! And they looked at each other. I mean the
> second oboist would like at the principal flutist. The violinists would
look
> over at each other and smile and so on. I wish I could see more of that
here
> in the States. It was just fabulous. I hope some of you got to see the
> concert tonight!
>
>
> Antoine
>
>
>
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>
>

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