Klarinet Archive - Posting 000102.txt from 2003/08

From: Roger Shilcock <roger.shilcock@-----.uk>
Subj: Re: [kl] Mouthpiece patches, stiff upper lip
Date: Wed, 6 Aug 2003 04:06:59 -0400

I had to change to double-lip when I had my front upper teeth crowned.
I found it more tiring. You also tend to grip harder with the mouth overall, so
if you're used to soft reeds, there is a problem - and the thumb rest
position becomes crucial.
Roger S.

In message <5.2.1.1.0.20030805121221.00b914d8@-----.org writes:
> At 11:45 AM 8/5/2003 -0400, Tom wrote:
> >If everyone would wrap the lip under the top teeth.(the way god intended, imho) You could get the moutpiece patch monkey off your back. How many more rubber gloves need to die a needless death?
> >Tom Puwalski, a man who uses both lips
>
> -------------------------
>
> I had my first official clarinet lesson a couple of weeks ago from a man who is a HS band director and clarinet player and teacher. He stressed that I should specifically use my teeth on top, as it is better for control, especially in the upper registers. However, I had been coached for the past few months by a friend, and she was emphatic about using the upper lip over the teeth on top. So here I am, trying to unlearn the upper lip thing. Other than personal preference, is there any evidence that one method is better than the other?
>
> Erik Tkal (used to a Shilke 51 trombone mouthpiece anyway, no teeth involved)
>
>
>
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>
>

--
No scandal about Queen Elizabeth, I hope
---- R. B. Sheridan ("The Critic")

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