Klarinet Archive - Posting 000508.txt from 2003/07
From: "Gene Nibbelin" <gnibbelin@-----.com>
Subj: RE: [kl] Rose Etude #8 (from 32) bar 10, last note: chromatic fingering or
Date: Thu, 17 Jul 2003 21:25:23 -0400
Karl -
The "trill" key fingering sounds fine on my Leblanc Concerto, both as to
pitch and to timbre. (Even the 1 and 1 Eb works on my horn -only about 5
cents sharp with good timbre.)
Regards,
Gene N.
-----Original Message-----
From: Karl Krelove [mailto:karlkrelove@-----.net]
Subject: RE: [kl] Rose Etude #8 (from 32) bar 10, last note: chromatic
fingering or
Of course, Marcellus learned to play before the R13 or even Hans Moennig
were available here. I have no idea what Bonade had available at the time he
taught at Curtis, either. Maybe it *was* inferior (stuffy? or badly out of
tune?) on the Buffets (or whatever Bonade played) of the 1930's and 1940's.
My Moenning-tuned pre-R13 Buffet sounds fine using the chromatic F#. The
pitch is slightly lower than 1st finger, which sometimes is a help.
Karl
> -----Original Message-----
> From: Ed Wojtowicz [mailto:ewoj@-----.net]
> Sent: Thursday, July 17, 2003 10:18 AM
> To: klarinet@-----.org
> Subject: Re: [kl] Rose Etude #8 (from 32) bar 10, last note: chromatic
> fingering or
>
>
> He felt that the timbre was inferior when using this fingering.
>
> Ed
>
> > From: Tony@-----.uk (Tony Pay)
> > Reply-To: klarinet@-----.org
> > Date: Thu, 17 Jul 2003 11:44:43 +0100
> > To: klarinet@-----.org
> > Subject: RE: [kl] Rose Etude #8 (from 32) bar 10, last note: chromatic
> > fingering or
> >
> > I think this is the heart of it. The post that mentioned that Marcellus
> > 'could hear' when a student used the side fingering for F# only bites if
> > what he could hear was musically unsatisfactory in the context that it
> > was being used.
>
>
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>
>
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