Klarinet Archive - Posting 000953.txt from 2003/06

From: "LARISA DUFFY & DAVID DOW" <DUFFYL@-----.CA>
Subj: Re: [kl] Utilizing vibrato; was, Cohler's vibrato article
Date: Thu, 26 Jun 2003 11:08:25 -0400

----- Original Message -----
From: "Tony Pay" <Tony@-----.uk>

Dear Tony:

I am on total accord with the concept that vibrato is simply an expressive
tool. And, to further this pattern of thinking about the topic is most
clarinetists should certainly learn some type of vibrato for music that
requires it...I have seen some of Werner Heider's music ask for types of
vibrato over the notes....he simply writes fast vibrato etc.

The real can of worms with trying pidgeon hole teaching any concept is
whether or not the vibrato the student wants is in reality the type they are
producing...here is where recording is a real bonus!

Gervase dePeyer I always felt produced a fine warm and sonorous vibrato
even over longer time scales with the feeling of resolution in the phrases.
Here is where I begin to see a tremendous difference in artist style over
his counterpart Brymer. For some reason I find Brymer's vibrato to be a
bit tedious and somewhat too regular....

There are some numerous examples of dePeyer in the catolgue of also not
using vibrato, as in the Bartok Concerto for Orchestra on Decca under
Solti...a great record.

Sincerely
D Dow
Symphony NB
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