| Klarinet Archive - Posting 001190.txt from 2003/04 From: Tony@-----.uk (Tony Pay)Subj: Re: [kl] Mozart's Trios for 3 basset horns
 Date: Sat, 26 Apr 2003 00:48:46 -0400
 
 On Thu, 24 Apr 2003 23:40:53 -0600 (MDT), AnneLenoir@-----.net said:
 
 > Dan, is that true for the Mozart Divertimenti as well, that they should
 > not be played on basset horns? The group sounds very good.
 
 Though the version for basset horns is conjectural, I think most people
 are convinced that this version is the correct one.  We know that some
 trios for basset horns were lost, as they're mentioned in Constanze's
 correspondence with Andre'.  The pieces you're talking about were first
 published in 1813 by Simrock, in a Bb version for two clarinets plus
 bassoon -- and in addition, funnily enough, two obbligato horn parts.
 These were added by someone else, and were ditched in subsequent
 publications.
 
 So the transposition to F and the move to 3 basset horns, including some
 decisions about octave transpositions, is entirely editorial.  You're
 quite at liberty to change some of the (dubious?) octave decisions made
 by the Trio Clarone, for example, in their edition.
 
 At least, that's what I always thought.  Dan, am I up to date on this?
 I have a sort of half memory of something being found in Prague a few
 years ago.  Or am I imagining it?
 
 > I have never heard a basset horn before, except an A basset horn (I
 > think) like the one David Schifrin used to record K-622.
 
 Dan already responded to you on this bit.  The nomenclature, 'basset
 horn in A' is controversial, and I'd argue against its casual use too.
 Of course, we could have called this long-lost instrument what we liked
 when it was rediscovered, but it's almost always referred to nowadays as
 a 'basset clarinet'.
 
 The problem, as Dan points out, is that if you leave out the 'in A' bit
 -- and even if you don't, other people might -- you risk confusion,
 because the term 'basset horn', to most people's ears, *implies* the key
 of F.  That's true even though, as he says, Mozart originally sketched
 K622 for basset horn in G.
 
 If the term, 'basset horn in A' had been used instead, and caught on,
 things would have been different, because then the use of the term
 'basset horn' would have changed subtly.
 
 > I had no idea that they sounded so wonderful in duos and trios. This
 > group, The New World Basset Horn Trio, with basset horn players Lisa
 > Klevit, Erich Hoeprich & William McColl. I would be curious to hear if
 > anybody else enjoys this group. Now that I know they shouldn't be
 > playing this music, I feel very badly for them that they went out and
 > spent so much money on their basset horns.
 
 What a sweetheart you are.  No, the music is kosher, and they're all
 right anyway, Annie, take it from me.
 
 They'll be playing on period instruments too, notice.  So in response to
 your question about whether their instruments are like Dan's, and having
 played both Dan's basset horn and a period basset horn, I'd have to say
 that the difference is larger than he implied, because I imagine he was
 assuming they had modern instruments.  (Their name implies that a bit,
 don't you think?)
 
 That having been said, there's an original Griesling and Schlott basset
 horn in the Smithsonian that I once got permission to play.  Anyone who
 thinks that period instruments must have been inferior in response to
 modern ones would be astounded by the power and expressiveness of that
 wonderful instrument.  And my Griessbacher copy (even the B natural:-)
 is pretty good, once you've practised on it for a few days.
 
 Incidentally, Griessbacher is the player/maker who is thought (perhaps)
 to have played these trios with Anton and Johann Stadler.
 
 > I hope that there is plenty of "musically correct" music to play on an
 > F basset horn, because I think that is the one I would want for
 > myself, if I can afford one someday.   ANNIE
 
 Yes, there's really quite a lot.
 
 You could even star in a Stockhausen opera, if you get your dancing
 together;-)
 
 Tony
 --
 _________     Tony Pay
 |ony:-)    79 Southmoor Rd                Tony@-----.uk
 |   |ay    Oxford OX2 6RE          http://classicalplus.gmn.com/artists
 tel/fax 01865 553339
 
 .... How come all the buttons keep flying off my shirt?
 
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