Klarinet Archive - Posting 000253.txt from 2003/02

From: "Raycraft" <raycraft@-----.com>
Subj: Re: [kl] Klarinet 101: Performance
Date: Sun, 9 Feb 2003 16:55:40 -0500

Bravo, Andy!!!! I agree!!!!
Listen to your intuition, and if yours is different than
the next guy's....so what?
Sue

----- Original Message -----
From: "Andy Raibeck" <cactus@-----.net>
Subject: Re: [kl] Klarinet 101: Performance

> You are being too literal. What I understood her to say was that in
general,
> the personal expression/interpretation (as opposed to merely a robotic
> rendering of the notes) that the performer brings to the piece is what
tends
> to makes it interesting.
>
> Regards,
>
> Andy
>
> ----- Original Message -----
> From: "Tony Pay" <Tony@-----.uk>
> To: <klarinet@-----.org>
> Sent: Sunday, February 09, 2003 03:00
> Subject: [kl] Klarinet 101: Performance
>
>
> > End of Term Essay
> > ^^^^^^^^^^^^^^^^^
> > Apropos a disputed note in a clarinet sonata, Marlena wrote on the
> > internet:
> >
> > > I mean, in general, if u play music as it is written, it almost makes
> > > u fall asleep. U have to put yourself into it, change tempo, dynamics,
> > > right?
> >
> > Outline the arguments both for and against this view of performance.
> > You should include the notions of 'being faithful to the text' and 'not
> > having the audience fall asleep'. Are these contradictory notions? If
> > not, how do excellent performances resolve the seeming contradiction?
> >
> > Tony
> > --
> > _________ Tony Pay
> > |ony:-) 79 Southmoor Rd Tony@-----.uk
> > | |ay Oxford OX2 6RE
http://classicalplus.gmn.com/artists
> > tel/fax 01865 553339
> >
> > ... We all have failures. The question is, what do we do with them?
> >
> > ---------------------------------------------------------------------
> >
> >
>
>
>
> ---------------------------------------------------------------------

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