Klarinet Archive - Posting 000206.txt from 2003/02

From: Georg.Kuehner@-----.de (Georg K=?ISO-8859-1?B?/A==?=hner)
Subj: Re: [kl] Castelnuovo-Tedesco Question
Date: Sat, 8 Feb 2003 13:54:25 -0500

Making music use Your ears making arts use Your eyes :-))

Best Georg

Am 08.02.2003 19:30 Uhr schrieb "Stephen C. Moore" unter
<stmoore@-----.edu>:

>
> Not only is it printed in other locations as a C#, but it causes
> dissonance with the piano and breaks the minor 3rd interval that all of
> those other similar patterns have. It just sounds raunchy.
>
> I'm not really sure what to do.. Since I'm playing for the ICA Young
> Artist Competition, do I play the way at least one of the judges expects
> to hear it (that just doesn't seem to sound right) or do I play it with
> the C# that just seems much more correct to me.. Quite a dilemma.
>
> Stephen C. Moore stmoore@-----.edu/~stmoore
> Technical Assistant, Computer Science Dept., New Mexico State University
> "No." -- Ivan Strnad
> ------------------------------------------------------------------------
>
> On Fri, 7 Feb 2003, Tony Pay wrote:
>
>> On Tue, 04 Feb 2003 16:25:53 -0600, klarinetteman@-----.com said:
>>
>>> Play C naturals in measure 3 and 4!!!! Dr. Gillespie at UNT got a
>>> copy of the manuscript and C natural is written in the composers own
>>> hand. That is why you will hear a C natural played on Bob Waltzel's
>>> wonderful recording of the piece.
>>
>> Interesting. Does that apply when the bars recur later? (I suppose it
>> must.)
>>
>> Why is C# printed, on both occasions, then? Did James Gillespie (yes?)
>> give any explanation of that? And, where did you find the information?
>>
>> Tony
>> --
>> _________ Tony Pay
>> |ony:-) 79 Southmoor Rd Tony@-----.uk
>> | |ay Oxford OX2 6RE http://classicalplus.gmn.com/artists
>> tel/fax 01865 553339
>>
>> .... WindowError:009 Horrible bug encountered. God knows what happened.
>>
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>>
>
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