Klarinet Archive - Posting 000203.txt from 2003/02

From: "Stephen C. Moore" <stmoore@-----.edu>
Subj: Re: [kl] Castelnuovo-Tedesco Question
Date: Sat, 8 Feb 2003 13:30:20 -0500

Not only is it printed in other locations as a C#, but it causes
dissonance with the piano and breaks the minor 3rd interval that all of
those other similar patterns have. It just sounds raunchy.

I'm not really sure what to do.. Since I'm playing for the ICA Young
Artist Competition, do I play the way at least one of the judges expects
to hear it (that just doesn't seem to sound right) or do I play it with
the C# that just seems much more correct to me.. Quite a dilemma.

Stephen C. Moore stmoore@-----.edu/~stmoore
Technical Assistant, Computer Science Dept., New Mexico State University
"No." -- Ivan Strnad
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On Fri, 7 Feb 2003, Tony Pay wrote:

> On Tue, 04 Feb 2003 16:25:53 -0600, klarinetteman@-----.com said:
>
> > Play C naturals in measure 3 and 4!!!! Dr. Gillespie at UNT got a
> > copy of the manuscript and C natural is written in the composers own
> > hand. That is why you will hear a C natural played on Bob Waltzel's
> > wonderful recording of the piece.
>
> Interesting. Does that apply when the bars recur later? (I suppose it
> must.)
>
> Why is C# printed, on both occasions, then? Did James Gillespie (yes?)
> give any explanation of that? And, where did you find the information?
>
> Tony
> --
> _________ Tony Pay
> |ony:-) 79 Southmoor Rd Tony@-----.uk
> | |ay Oxford OX2 6RE http://classicalplus.gmn.com/artists
> tel/fax 01865 553339
>
> .... WindowError:009 Horrible bug encountered. God knows what happened.
>
> ---------------------------------------------------------------------
>

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