| Klarinet Archive - Posting 000078.txt from 2003/02 From: Anna Benassi <acb@-----.is>Subj: [kl] neckstraps, thumb rests, and the like - and a PS to Gudmundur Nordahl
 Date: Mon,  3 Feb 2003 04:46:47 -0500
 
 I have been using a neckstrap for some time - my right hand began
 misbehaving after my oldest child (a colicky young miss who demanded
 that I walk the floor with her for long periods of time) was born. The
 neck strap is no particular problem to me. I asked Luis Rossi to
 outfit my Rossi clarinet so that I can use my BG neckstrap with the
 metal protrusion on it (I happen to like Luis' wooden thumb rest, so I
 wanted to keep that option), and it works well. I have a Kooiman thumb
 rest on my Buffet and am getting used to it after a period of
 adjustment.
 
 But the problem I am noticing is one that my students are having. Most
 of them play Yamaha student horns. And while I love the things for
 their durability and overall quality of craftmanship, there is one
 thing about them that is a hazard for a beginner - the RH Eb/Bb key
 stands way too far out from the horn, and young players tend to "hang"
 the instrument on their RH index finger. Definitely cramps their style
 later on when they try to play fast (though some kids' ability to whip
 around the horn despite this symbiotic relationship with that key is
 astounding).
 
 So. I have begun asking most of my students to use neck straps. Our
 school is admitting them younger than ever, and I got a crop of
 8-yr-old beginners last year, none of whom were really large enough
 physically to handle a clarinet. The neck strap has helped a great
 deal. But I notice that the RH thumb position is, in some cases, being
 compromised. Due to the fact that the weight of the horn is no longer
 an issue of monumental importance, they stick their RH thumbs way too
 far in and are holding the clarinet with their fingers quite close to
 the horn. The result is a situation very like that which I was trying
 to correct. I suspect that other support alternatives might have a
 similar effect.
 
 Does anyone else have experience with this? I just saw a photo of
 Kooiman's Etude (thx to Jeroen Salm for sending the link) and wonder
 if it might not help - by providing support at two points on the
 thumb. Another device I am interested in but have never seen is the
 Bay Thumb Guide. Does anyone have experience with it? I really need to
 help these students before they become accustomed to a hand position
 that is ultimately inefficient or even unhealthy.
 
 Thanks much,
 Anna
 
 PS: An aside to Gudmundur Nordahl: You should do some well-organized
 direct marketing of your products here in Iceland. Here I am in your
 city, and I have never even seen your devices. It's a shame. The best
 way for you to proceed is to contact the music schools direct and ask
 the schoolmasters if you could come to a staff meeting or staff
 seminar to give a presentation. As you may well know, the new music
 teachers' contract requires that the schools conduct a continuing
 education program for their staff members. Such a requirement is an
 absurdity, of course, but I know for a fact that most of the
 schoolmasters are scratching their heads over how to do this.
 Presentations of equipment and "helper" devices could easily form a
 part of such a continuing ed program. I'm not saying you'd sell
 millions of units, but there are an awful lot of music students in
 Iceland who might end up buying. I think it's worth a shot. Good luck.
 
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