Klarinet Archive - Posting 000101.txt from 2003/01

From: Josh <eliazor@-----.net>
Subj: Re: [kl] Solo Cuts
Date: Mon, 6 Jan 2003 18:26:27 -0500

Rebecca, I attended a master class at Mannes College and it was given by
three find clarinetist in there on right. Two different people played the
Saint Saenes twice each one playing different movement. So play what you
comfortable playing.

Josh
----- Original Message -----
From: "Dan Leeson" <leeson0@-----.net>
Subject: Re: [kl] Solo Cuts

> Rebecca, were I in your position, I would stay away from the Weber. It
> is so overplayed as an audition piece that the judges are deaf to
> anything you might do. Once, I judged the clariinet competition and
> heard 24 complete performances of the Weber over two days. After a
> while, I simply could not think any longer, and that is a problem that
> you should avoid getting into.
>
> I can't be much help in suggesting what you should do, but I do caution
> you about what you should not do.
>
> Dan
>
> Rebecca Brennan wrote:
> > When you find out tell me, I know the Solo De concours well and I
> > started working on the Mozart a few weeks ago. I think either would be a
> > good solos and ensembles piece. I'm havign trouble deciding between
> > those and the Weber Concertino, which definately needs cuts because I am
> > limited to 7 minutes.
> >
> > Can anyone help me on that?
> >
> > -Rebecca
> >
> >
> >
> >
> >
> >> From: "Kevin & Tina Holevoet" <tkholevoet@-----.net>
> >> Reply-To: klarinet@-----.org
> >> To: <klarinet@-----.org>
> >> Subject: [kl] Solo Cuts
> >> Date: Mon, 6 Jan 2003 13:56:30 -0600
> >>
> >> I have one student doing the Mozart Clarinet Concerto, K. 622
> >> (movement III)
> >> and one doing the Messager Solo de Concours for contest this year. We
> >> are
> >> deep into our preparation and I am having both students learn their
> >> entire
> >> movement/piece. I do, however, need to make a cut in both (due to time
> >> constraints - 5 min. max.) and have misplaced a folder in which I keep
> >> such
> >> cuts. I am needing to apply those cuts for them (and their
accompanists)
> >> and was looking to the list for help/suggestions. I have publications
> >> for
> >> the Mozart by both International and Schirmer. The Messager I have is
> >> published by Southern Music Company. Any help would be greatly
> >> appreciated.
> >> Thanks in advance.
> >>
> >> Tina Holevoet
> >>
> >>
> >> ---------------------------------------------------------------------
> >
> >
> >
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> >
> >
> > ---------------------------------------------------------------------
> >
> >
>
>
> --
> ***************************
> **Dan Leeson **
> **leeson0@-----.net **
> ***************************
>
>
>
>
>
>
>
> ---------------------------------------------------------------------
>

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