Klarinet Archive - Posting 000864.txt from 2002/11 
From: Daniel Leeson <leeson0@-----.net> Subj: [kl] Witty musician's joke about playing too loud Date: Tue, 26 Nov 2002 00:01:32 -0500
  Apocryphal (maybe not?) responses to a recent survey of orchestral 
musicians to determine whether or not, in the opinion of the players, 
orchestras have become too loud.  This question was asked: "Do you, as a 
professional orchestral musician think that orchestras have become too 
loud, and if so, how has this affected you personally?"  Following, in 
score order, are some typical responses. 
 
1. Flutist: "Yes, most decidedly. In fact the situation has deteriorated 
to the point that I am actually looking forward to being demoted to 3rd 
flute and piccolo where I will be able to make myself heard, at least on 
the picc." 
 
2. Oboist: "I think so. I have trouble keeping up as far as volume is 
concerned. I have finally resorted to two pieces of cedar shingles tied 
together to make a reed and the conductor still keeps asking for more." 
 
3. Clarinetist: "Perhaps. The conductor has asked me to stand up on all 
solos so that the audience will notice me. I am also using one of those 
new titanium reeds. The tone is a bit metallic, but it does cut through 
the mass of string sound. I suppose the strings could play softer. I 
don't know; they have never been asked to." 
 
4. Bassoonist: "I really don't know. I didn't show up for the last three 
concerts and nobody seemed to notice." 
 
5. Hornist: "He wants it louder, he should hire more horn players!" 
 
6. Trumpet player: "I think we should play louder and faster and put it 
up an octave." 
 
7. Trombonist: "I really don't care. Just wake me up when we get to the 
last movement. By the way, where is the party after the concert?" 
 
8. Tuba player: "I never thought about it. What I want to know is why 
I'm not allowed to wear my lederhosen at concerts. After all, I am 
principal of the section!" 
 
9. Percussionist: "What?" 
 
10. First violinist: "No, I don't think so. When the brass come in we 
don't have to worry about intonation in the fiddle section. I don't know 
what's going on in the seconds. There are times when I can't hear them 
at all." 
 
11. Second violinist: "Perhaps. Things have become a bit more 
complicated. I now use two bows, one for the soft spots and another for 
when the brass come in. I use soap on that one instead of resin." 
 
12. Violist: "Duh?" 
 
13. 'Cellist: "Well I guess so. At least we have had to play louder 
since the bassoons stopped showing up." 
 
14. Double bassist: "I don't know about the rest of the orchestra but 
all we can hear back here is that darn tuba. We all chipped in and 
bought that big guy a tuba with the bell aimed the other direction, but 
he won't use it. If we allowed him to wear his lederhosen, would he play 
softer?" 
 
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**Dan Leeson             ** 
**leeson0@-----.net  ** 
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