Klarinet Archive - Posting 000161.txt from 2002/11

From: Karl Krelove <karlkrelove@-----.net>
Subj: RE: [kl] Vibrato
Date: Sun, 3 Nov 2002 14:35:47 -0500

I took one lesson with Wright in 1969 when I first joined the Army Field
Band. He wouldn't even use the word "vibrato" when we talked about it. It
was, he said, simply added intensity.

Karl Krelove

> -----Original Message-----
> From: Russell Harlow [mailto:lharlow@-----.net]
> Sent: Sunday, November 03, 2002 2:08 PM
> To: klarinet@-----.org
> Subject: Re: [kl] Vibrato
>
>
> Harold Wright told me that "vibrato should be used only if you
> want to show
> movement or intensity on a note" but not to be used constantly. - the
> clarinet being so rich in overtones, the beauty and
> expressiveness of sound
> is more intense then in instruments that overblow an octave. There is an
> interesting section in the Carol Kycia book on Bonade (pp71-72) where he
> speaks of vibrato as being "natural". "It only comes up in
> performance when
> I am really into the music" He said he could not and would not teach it.
>
> ----------
> >From: "Forest E. Aten Jr." <forestaten@-----.com>
> >To: <klarinet@-----.org>
> >Subject: [kl] Vibrato
> >Date: Sat, Nov 2, 2002, 8:08 PM
> >
>
> > I recently came across this very interesting news article
> regarding use of
> > vibrato on the clarinet.
> >
> > http://www.post-gazette.com/magazine/20010131clarinet4.asp
> >
> >
> >
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> >
> >
>
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