Klarinet Archive - Posting 000160.txt from 2002/11

From: "Russell Harlow" <lharlow@-----.net>
Subj: Re: [kl] Vibrato
Date: Sun, 3 Nov 2002 14:35:46 -0500

As a PS, There is a recording available of the Philadelphia Orchestra of the
Miaskowski symphony #21-"Eugene Ormandy Meastro Brilliante"(20th century
maesrtros-The International Music Company AG-Hamburg Ger.) - with Ralph
McLane playing the opening solo. On the third note "A" and leading into
it,you will hear a beautiful example of this subtle vibrato.

----------
>From: "Russell Harlow" <lharlow@-----.net>
>To: klarinet@-----.org
>Subject: Re: [kl] Vibrato
>Date: Sun, Nov 3, 2002, 11:08 AM
>

> Harold Wright told me that "vibrato should be used only if you want to show
> movement or intensity on a note" but not to be used constantly. - the
> clarinet being so rich in overtones, the beauty and expressiveness of sound
> is more intense then in instruments that overblow an octave. There is an
> interesting section in the Carol Kycia book on Bonade (pp71-72) where he
> speaks of vibrato as being "natural". "It only comes up in performance when
> I am really into the music" He said he could not and would not teach it.
>
> ----------
>>From: "Forest E. Aten Jr." <forestaten@-----.com>
>>To: <klarinet@-----.org>
>>Subject: [kl] Vibrato
>>Date: Sat, Nov 2, 2002, 8:08 PM
>>
>
>> I recently came across this very interesting news article regarding use of
>> vibrato on the clarinet.
>>
>> http://www.post-gazette.com/magazine/20010131clarinet4.asp
>>
>>
>>
>> ---------------------------------------------------------------------
>>
>>
>
> ---------------------------------------------------------------------
>
>

---------------------------------------------------------------------