Klarinet Archive - Posting 000347.txt from 2002/01

From: HatNYC62@-----.com
Subj: [kl] Re: klarinet Digest 13 Jan 2002 09:15:01 -0000 Issue 3570
Date: Sun, 13 Jan 2002 08:45:28 -0500

In a message dated 1/13/02 4:13:00 AM, klarinet-digest-help@-----.org
writes:

<< My experience of playing from memory is that you have a lot more space in
your mind.
Like any computer, your mind has a limited amount of processing power. Whilst
you are looking at the music, reading it and then thinking how to play it,
you are using up some of your mind resources. When accessing the information
from in your mind it takes less work, therefore leaving you with more time to
express yourself. >>

Interesting, I feel exactly the opposite way. I think that more brain is used
up accessing memory than 'reading.' I use the parenthesis because in a
performance for which I am fully prepared, I am not using the music to read
so much as to guide.

There are only so many things that can be practiced at home for a solo
performance. The main reason I have music in front of me at all times is for
counting rests! This is something I don't do outside of rehearsals or
performances.

If one has a photographic memory, the issue changes, of course. However, in
my circle of aquaintance, I have met no one who has such a memory. It seems
to be quite rare.

I don't think it is a coincidence, however, that many great conductors have
had such a memory. Lorin Maazel, for instance, can conduct some 3000 works
from memory at any given time.

My opinion as someone whose income depends on the quality of the performance?
If there is even the slightest risk of a slip, it's not worth trying from
memory. Just having the part and stand there even if I never look at it is
comforting. Again, the rests are a good time to look ahead and 'remind'
yourself what's coming up.

-David Hattner, NYC
www.northbranchrecords.com

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