Klarinet Archive - Posting 000299.txt from 2001/11
From: "Gregory Smith" <Gregory@-----.com> Subj: Re: [kl] The American Style of Playing or the American Sound Date: Wed, 7 Nov 2001 20:39:03 -0500
To clarify:
Isabelle asked 3 (three) questions:
1)Going back about a hundred years, who do you think has
influenced the American clarinetist the most;
2)How many schools of clarinet playing do you think
exists in America?
3)Is there such a thing as the 'American sound'?
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I've answered the lineage part of your question Isabelle with the =
recommendation of the book.
Lineage applies to the entire subject of clarinetistry, including sound. =
Keep in mind that the difference in sound is undeniably part and parcel =
of differences in style or in "schools of playing". So if you define the =
American sound you may want to keep in mind the lineage part of the =
equation. To take distinctions in sound out of that equation simply =
because there is the suggestion that it too subjective to be of use =
would in my opinion be an unfortunate error.
You also asked, "Does anybody have suggestions on the structure of the =
tree and how far down I should go?"
This is answered partially in the book by references retrospectively to =
Bonade's own lineage. Perhaps part of your objective could be to =
identify and fill in the "top" part of the tree - the successful =
students of the students (of the students) of Bonade. Maybe it's up to =
the 3rd, 4th, or possibly 5th generation by now, I've never quite taken =
enough time to contemplate it actually.
Good luck in your endeavor!
Gregory
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Gregory Smith =20
Clarinetist
Chicago Symphony Orchestra
Mouthpiece Handcraftsman
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2737 Hurd Avenue
Evanston, Illinois. 60201-1209 USA
1.847.866.8331
1.847.866.9551 (fax)
Email: Gregory@-----.com (NEW)
Website: www.gregory-smith.com
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