Klarinet Archive - Posting 000769.txt from 2001/10

From: "David C. Kumpf" <dkumpf@-----.com>
Subj: RE: [kl] Return receipts
Date: Tue, 23 Oct 2001 18:04:34 -0400

Sorry, don't have that client...just the ones listed below. Eudora is
likely full-featured enough to have a way to do this, however.

Dave Kumpf
mailto:dkumpf@-----.com
http://www.optimetra.com

> -----Original Message-----
> From: fred.sheim@-----.net]
> Sent: Tuesday, October 23, 2001 3:48 PM
> To: klarinet@-----.org
> Subject: Re: [kl] Return receipts
>
>
> How do you do it in Eudora?
>
> Fred
>
> At 03:12 PM 10/23/01 -0600, you wrote:
> >I turned off return receipts for everybody some time ago, so
> I haven't
> >seen any of the return-receipt-requested nonsense from Mr. Jackson's
> >messages.
> >
> >I agree that he should turn it off...these are just an
> annoyance. They
> >can be useful when you're running on a corporate email system like
> >Notes, Groupwise, or Exchange - but only for urgent and important
> >business communications. They're a pain in the *** for general
> >communications on the Net.
> >
> >To ignore the request for read receipts in MS Outlook,
> select Options
> >from the Tools menu. Select Preferences tab and click Email options.
> >Click on Tracking Options. Under the text near the bottom of
> the dialog
> >about read receipts, select "Never send a response." Click
> OK, OK, and
> >OK.
> >
> >Under Outlook Express, select Tools, Options, and click on
> the Receipts
> >tab to get to the same choices.
> >
> >In MS Entourage (Macintosh) there do not appear to be any options to
> >ignore read receipt requests (but on the other hand, I'm not certain
> >the mail client will even respond to such requests in the
> first place).
> >
> >Under Netscape 4.7x, select Preferences from the Edit Menu, click to
> >expand the Mail & Newsgroups item, click on Return Receipts, select
> >Never Return a Receipt, and click OK.
> >
> >Dave Kumpf
> >mailto:dkumpf@-----.com
> >http://www.optimetra.com
> >
> >> -----Original Message-----
> >> From: Gene Nibbelin [mailto:gnibbelin@-----.com]
> >> Sent: Tuesday, October 23, 2001 2:42 PM
> >> To: klarinet@-----.org
> >> Subject: RE: [kl] When to teach voicing for altissimo notes
> >>
> >>
> >> Luby -
> >>
> >> If you don't turn off that offensive "Return Receipt"
> >> business, many of us will be doing what I am doing. I glance
> >> thru the list of senders and simply delete all of your posts
> >> without opening them. We don't need your "Return Receipt"
> >> pain where the sun don't shine.
> >>
> >> Now do it, damn it.
> >>
> >> Gene Nibbelin
> >>
> >> -----Original Message-----
> >> From: Audrey Travis [mailto:vsofan@-----.com]
> >> Sent: Monday, October 22, 2001 4:27 PM
> >> To: klarinet@-----.org
> >> Subject: Re: [kl] When to teach voicing for altissimo notes
> >>
> >> Luby - PLEASE find a way to turn OFF the request for a reply
> >> to your messages before I get to read it. You've been
> >> sending quite a few messages in the last few days (which is
> >> great), but the inability to go directly to your post is
> >> quite annoying. Thanks! Audrey
> >>
> >> "Luby D. Jackson" wrote:
> >>
> >> > Your post brings about an interesting topic. While
> playing through
> >> American
> >> > Civil War Fantasy, I had to play a bar going all the way
> up to the
> >> > high G
> >> on
> >> > the Eb Clarinet. Is this common to find Eb Clarinet parts
> >> written so
> >> high?
> >> > ----- Original Message -----
> >> > From: "agalper" <agalper@-----.com>
> >> > To: <klarinet@-----.org>
> >> > Sent: Monday, October 22, 2001 10:48 AM
> >> > Subject: Re: [kl] When to teach voicing for altissimo notes
> >> >
> >> > > Annie, thanks for all your mentions.The reason those
> books are so
> >> > > much
> >> in
> >> > > the low register, is because that is
> >> > > the base for the high notes. Not many recognise that.
> Too bad.How
> >> > > are
> >> you?
> >> > > We're waiting for you. Abe
> >> > >
> >> > > Anne Lenoir wrote:
> >> > >
> >> > > > Dear Robert,
> >> > > > I too find your theories very interesting, and
> I think you
> >> > > > should write a method book for teaching clarinet. Are
> >> you familiar
> >> > > > with Abe Galper's Clarinet Method? It is a wonderful
> >> method book
> >> > > > for learning
> >> to
> >> > > > play the clarinet, the best I have seen so far. All of
> >> my students
> >> love
> >> > > > the book. He does spend a lot of time working on the
> >> low register
> >> > > > of
> >> the
> >> > > > clarinet, but that is very important for developing a
> >> good tone. I
> >> > > > do believe that young students have to be able to cover
> >> the holes
> >> > > > of the clarinet and move up & down the F & G scales
> of the low
> >> > > > register (Eb Concert and F Concert) with ease before
> >> the higher
> >> > > > notes can have much meaning. It's just sensible to feel
> >> > > > comfortable with basic "hole covering" skills when
> you start to
> >> > > > play the clarinet. Abe Galper's Method takes it further
> >> than basic
> >> > > > comfort, with the use of lovely melodies in 3/4 and
> 4/4 time in
> >> > > > several keys, developing good skills with the pinkies
> >> and R hand
> >> > > > Eb. I personally enjoy teaching the
> >> clarinet
> >> > > > this way and don't necessarily think that this would be
> >> the time
> >> > > > to
> >> put
> >> > > > a whole lot of emphasis on the altissimo range. Maybe some
> >> > > > squeeking
> >> on
> >> > > > harmonics now and then, particularly if they squeek
> by accident.
> >> > > > But after students have a foundation in basic clarinet
> >> > > > fingering skills, involving nice melodic content, I
> >> think it might
> >> > > > be
> >> interesting
> >> > > > to see what could happen next in regards to high
> notes. I don't
> >> > > > think that the use of an occasional harmonic "squeek"
> >> held out as
> >> > > > long as
> >> they
> >> > > > can, would hurt anything, and I can see how it could
> contribute
> >> towards
> >> > > > having a good altissimo range in the future. But
> these harmonic
> >> > > > "studies" need to be written out in your own method, so that
> >> > > > others
> >> can
> >> > > > see what you're up to. Right now, I am more
> concerned with band
> >> > > > directors trying to pressure 10-year-old kids into
> >> going over the
> >> break
> >> > > > when they can't really cover the holes easily and
> >> naturally. They
> >> > > > come into the lessons wanting to quit band because they have
> >> > > > "try-outs" on
> >> a
> >> > > > C scale (Bb Concert) the next day, and they can't go over the
> >> > > > break.
> >> The
> >> > > > band directors in our district are all trumpet players. The
> >> > > > altissimo range is the least f my worrries. Right now it is
> >> > > > "finger placement"
> >> and
> >> > > > good melodic playing. I think the "altissimo" studies
> >> should start
> >> > > > later, after they can go from A to B without it being a
> >> gut wrenching
> >> > > > experience. ANNIE
> >> > > >
> >> > > >
> >> ------------------------------------------------------------------
> >> > > > ---
> klarinet-unsubscribe@-----.org
> klarinet-help@-----.org Any other
> >> > > > questions: klarinet-owner@-----.org Klarinet is
> supported by
> >> > > > the I.C.A., http://www.clarinet.org/
> >> > >
> >> > > --
> >> > > Avrahm Galper
> >> > > CLARINET TONE TECHNIQUE AND STACCATO
> >> > > CLARINET UPBEAT SCALES AND ARPEGGIOS
> >> > > EINE KLEINE KLEZMER MUSIK
> >> > > Sales at:luyben@-----.com
> >> > > (816) 753-7111
> >> > > http://www.avrahm-galper.sneezy.org
> >> > >
> >> > >
> >> > >
> >> > >
> >>
> --------------------------------------------------------------------
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> >> > > questions: klarinet-owner@-----.org Klarinet is
> supported by
> >> > > the I.C.A., http://www.clarinet.org/
> >> > >
> >> >
> >> >
> >>
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